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DTSTART;TZID=Europe/Madrid:20260306T190000
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UID:31076-1772823600-1772827200@addaalicante.es
SUMMARY:EN MODO HABANERA. SANDRA FERRÁNDEZ\, mezzo-sopranoIRENE ALFAGEME\, piano
DESCRIPTION:PROGRAM: \nSONG TO ABSENT LOVE\nMiquel Ortega (1963) – La casa que vull (2000) Text by Joan Salvat-Papasseit\nBorja Mariño (1982) – La grama triste (2022) Text by Antonio Gala\nRubén Díez (1977) – Carta del más allá (2018) Text by Juan Carlos de la Madrid\nJordi López (1982) – El ausente (2022) Text by Carmen Ortiz Mompeán \nNOSTALGIA FOR CUBA\nErnesto Lecuona (1896-1963) – Habanera (1958) Piano solo\nXavier Montsalvatge (1912-2002) – Canciones negras (1945) Cuba dentro de un piano\nText by Rafael Alberti\nPunto de habanera Text by Néstor Luján \nSebastián Iradier y Salaverri (1809-1865) – La paloma (1863) Text by Sebastián Iradier y Salaverri\nLeonora Milà (1942) – Havanera No. 3\, Op. 53 (1992) Piano solo \nTHE 21ST-CENTURY HABANERA\nMarcos Fernández-Barrero (1984) – Van y vienen (2023) Anonymous text (15th century)\nJesús Legido (1943) – Paisajes: Tiempo de habanera (2023) Text by Jesús Legido\nJuan Durán (1969) – Músicos del Metropolitano (2023) Text by Javier Mateo\nJavier Centeno (1973) – Todo blanco (2023) Text by Antonio García Teijeiro \nHABANERAS IN SPANISH LYRIC THEATRE\nEmilio Arrieta (1821-1894) – “Habanera”\, zarzuela Un sarao y una soirée (1866) Piano solo\nFederico Chueca (1846-1908)\, Joaquín Valverde (1846-1910) – “Oiga usté\, caballero”\, revue El año pasado por agua (1889)\nLibretto by Ricardo de la Vega\nGeorges Bizet (1838-1875) – “Tan rebelde es el amor”\, Carmen (1887\, 1890) Libretto by Ludovic Halévy and Henri Meilhac\, Spanish version by Eduardo de Bray \n  \n  \n\nIn habanera mode \nThe habanera is a song that travels back and forth between Spain and the colonies. Born as a European dance performed with sensual movements\, it reached Cuba brought by settlers\, and later returned to the continent with its lilting sway and mellow\, sweetly coloured air.\nThis recital offers a wide panorama of the genre\, featuring composers from both sides of the Atlantic. \n\nSANDRA FERRÁNDEZ. Mezzo-soprano \nMezzo-soprano Sandra Ferrández has established herself as one of the most versatile and expressive voices of her generation\, thanks to a deep\, nuanced timbre\, a captivating stage presence\, and a strong interpretive commitment—qualities recognised by critics and audiences alike. \nBorn in Crevillente (Alicante)\, she studied with Ana Luisa Chova at the Joaquín Rodrigo Higher Conservatory of Valencia\, where she received the Extraordinary End-of-Degree Award\, and furthered her training with artists such as Gundula Janowitz\, Elena Obraztsova\, and Wolfram Rieger. She has received honours including the Ópera Actual Award\, First Prize at Juventudes Musicales de España\, and First Prize in Zarzuela in Abarán. \nShe made her operatic debut as Giulietta in Les Contes d’Hoffmann\, and soon reached a major milestone when she stepped in for Montserrat Caballé in Le Roi d’Ys. Since then\, she has enjoyed an intense career in leading Spanish theatres and concert halls\, as well as on international stages such as the Kennedy Center in Washington and Osaka’s Festival Hall\, in addition to recitals with the Simón Bolívar Orchestra in Caracas and at the Łańcut Festival (Poland). \nIn zarzuela\, she has shone in emblematic titles such as La verbena de la Paloma\, Los Gavilanes at the Teatro de la Zarzuela\, La Revoltosa at Teatros del Canal\, El Barberillo de Lavapiés and La Malquerida at the Palau de les Arts\, and Doña Francisquita at the Gran Teatro de Córdoba. \nShe has worked with conductors such as Lorin Maazel\, Semyon Bychkov\, Pier Giorgio Morandi\, Jesús López Cobos\, Ivor Bolton\, and Guillermo García Calvo\, and with stage directors including Emilio Sagi\, Giancarlo Del Monaco\, and Lluís Pasqual. Her versatility has also taken her into contemporary repertoire\, appearing in premieres at the Teatro Real\, the Palau de les Arts\, and Oviedo Opera. \nRecent engagements include Carmen at the Teatro de la Maestranza\, La Vida breve and Carmen at Alicante’s ADDA\, Los Gavilanes at the Teatro de la Zarzuela\, La Dama del Alba in Oviedo\, Hansel and Gretel at Teatro Real Retiro\, Nixon in China and Tejas Verdes at the Teatro Real\, and La Traviata at Los Jameos del Agua. In the 2025/26 season she sings Rigoletto and Carmen at Oviedo Opera\, and Los Estunmen at the Liceu and the Teatro Real\, among other engagements. \n\nIRENE ALFAGEME. Piano \nIrene Alfageme has established herself as one of Spain’s leading pianists specialising in vocal repertoire. She has collaborated in recitals with Bryn Terfel and Plácido Domingo\, as well as in rehearsals with\, among others\, Felicity Lott and Ian Bostridge. As a répétiteur\, she works with the Hoffmann Theater in Bamberg and the Teatro Calderón in Valladolid. Her extensive orchestral experience has led her to collaborate with the Castilla y León Symphony Orchestra and Spain’s National Orchestra and Choir\, and she is a founding member of the Natalia Ensemble. She has given numerous recitals across Europe\, Canada\, the United Arab Emirates\, South Africa\, and Japan. Her awards include the Janet Duff Greet Prize\, the Concurso Ciudad de S. Sebastián\, and Monserrat Alavedra. She is Professor at the Escuela Superior de Canto in Madrid\, holds a PhD (cum laude) from the University of Valladolid\, and has been distinguished as an “Associate” of the Royal Academy of Music in London. \n 
URL:https://addaalicante.es/en/concert/en-modo-habanera/
CATEGORIES:CICLO CÁMARA
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