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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260627T190000
DTEND;TZID=Europe/Madrid:20260627T200000
DTSTAMP:20260224T065039Z
CREATED:20260224T064747Z
LAST-MODIFIED:20260224T065039Z
UID:10002280-1782586800-1782590400@addaalicante.es
SUMMARY:Concierto XX Aniversario – Óscar Navarro
DESCRIPTION:Óscar Navarro Symphony Orchestra dirigida por Óscar Navarro \nJosé Lozano\, fagot \nMaría Calvo\, soprano \nJavier Rubio\, tenor \nAdriana Tonda\, voz \nCoro de Voces Blancas del “CEIP Jorge Juan” \nCoral del Vinalopó \nCoral de la Universidad de Alicante \n\n  \nEl “CONCIERTO XX Aniversario – Óscar Navarro” es una gran celebración sinfónica que conmemora veinte años de trayectoria como compositor de Óscar Navarro. El concierto será frente de su orquesta\, con un programa íntegramente dedicado a su obra\, destacando 2 estrenos mundiale \n 
URL:https://addaalicante.es/en/concierto/concierto-xx-aniversario-oscar-navarro/
LOCATION:Alicante
CATEGORIES:OTRAS MÚSICAS
ATTACH;FMTTYPE=image/png:https://addaalicante.es/wp-content/uploads/2026/02/ADDA-1280-x-720-px.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260703T200000
DTEND;TZID=Europe/Madrid:20260703T210000
DTSTAMP:20260528T062351Z
CREATED:20260528T062351Z
LAST-MODIFIED:20260528T062351Z
UID:10002420-1783108800-1783112400@addaalicante.es
SUMMARY:ORQUESTA JOVEN DE ANDALUCÍA
DESCRIPTION:Richard Strauss. Eine Alpensinfonie\, Op. 64 \n\nEntrada libre\, mediante invitación. \nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: \n\n protocolo.adda@diputacionalicante.es\nAforo limitado\, máx.4 entradas/persona.Las entradas se confirmarán y entregarán una semana antes del concierto.\nApertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/orquesta-joven-de-andalucia/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260710T200000
DTEND;TZID=Europe/Madrid:20260710T210000
DTSTAMP:20250730T082756Z
CREATED:20250602T090041Z
LAST-MODIFIED:20250730T082756Z
UID:10001890-1783713600-1783717200@addaalicante.es
SUMMARY:CONEXIÓN LATINA I - JOVEN ORQUESTA NACIONAL DE VENEZUELA GUSTAVO DUDAMEL\, DIRECTOR
DESCRIPTION:T6\nSALE OF INDIVIDUAL ENTRY: From August 1\, 2025 \n\nNATIONAL YOUTH ORCHESTRA OF VENEZUELA\nThe National Youth Orchestra of Venezuela\, a cornerstone of the National System of Youth and Children’s Orchestras and Choirs of Venezuela (El Sistema)\, represents the pinnacle of the country’s young musical talent. Founded in 1975 by maestro José Antonio Abreu\, this initiative seeks to transform the lives of children and youth through collective music practice. \nThe orchestra has been a breeding ground for prominent musicians and conductors\, such as Gustavo Dudamel\, who began his career in El Sistema and is now internationally renowned. The ensemble has participated in international tours\, performing at world-renowned venues and collaborating with prestigious conductors and soloists. \nThe repertoire of the National Youth Orchestra of Venezuela spans from classical works to contemporary compositions\, including pieces by Venezuelan composers\, reflecting its commitment to promoting the country’s musical culture. The orchestra has been recognized for its artistic excellence and social impact\, receiving international awards such as the Prince of Asturias Arts Prize and the UNESCO International Music Prize. \n\nGUSTAVO DUDAMEL. Conductor\nGustavo Dudamel is committed to creating a better world through music. His unwavering belief that art has the power to inspire and transform lives has driven his dedication to education and access for underserved communities\, expanding the impact of classical music to new audiences. His rise from humble beginnings in Venezuela to a career filled with unparalleled artistic and social achievements is a testament to the idea that culture can give meaning to an individual’s life and bring greater harmony to the world. He currently serves as music and artistic director of the Los Angeles Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela\, and in 2026\, he will assume the role of music and artistic director of the New York Philharmonic\, continuing a legacy that includes Mahler\, Toscanini\, and Bernstein. In 2025\, Dudamel will celebrate the 50th anniversary of El Sistema\, honoring the visionary global educational program of José Antonio Abreu and recognizing the vital importance of arts education. \nHe is a genuine cultural phenomenon. He was the youngest conductor to lead the Vienna Philharmonic’s New Year’s Concert. He has performed at global events and collaborated with pop music icons. He conducted the adaptation of West Side Story by Spielberg and the opening and closing credits of Star Wars: The Force Awakens. His extensive discography has earned seven Grammy Awards and nine additional nominations. \nDudamel has been a passionate advocate for music education and social integration through art\, sharing his own transformative experience in Venezuela’s El Sistema as an example of how music can provide purpose and meaning to a young person and help them overcome challenging circumstances. In 2007\, Dudamel and the LA Phil founded YOLA (Youth Orchestra Los Angeles). In 2012\, he launched the Dudamel Foundation—co-chaired with his wife\, actress and director María Valverde—with the goal of expanding “access to music and the arts by providing tools and opportunities for young people to shape their creative futures.” The Dudamel Foundation organized its Encuentros initiative worldwide\, from Spain to the Hollywood Bowl\, to explore cultural unity and celebrate harmony\, equality\, dignity\, beauty\, and respect through music.
URL:https://addaalicante.es/en/concierto/conexion-latina-i-joven-orquesta-nacional-de-venezuela-gustavo-dudamel-director/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 25/26
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/05/13dic_t6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260711T203000
DTEND;TZID=Europe/Madrid:20260711T213000
DTSTAMP:20260608T103018Z
CREATED:20260430T080020Z
LAST-MODIFIED:20260608T103018Z
UID:10002322-1783801800-1783805400@addaalicante.es
SUMMARY:LAS MIGAS “Flamencas”
DESCRIPTION:Advance sales SOLD OUT. \nLast tickets available at the box office\, two hours before the concert. \n\nMarta Robles\, guitar and direction\nAlicia Grillo\, guitar\nPaula Ramirez\, vocals\nLaura Pacios\, violin\nKatherine Benitez\, percussion\nOriol Riart\, bass/double bass \nAfter conquering stages in more than 50 countries\, Las Migas\, four-time nominees and Latin Grammy winners in 2022 and 2025\, return with Flamencas\, a vibrant return to the purest and most traditional roots of the genre\, without leaving behind the personality and freshness that have established them as one of the most outstanding and internationally acclaimed acts in contemporary flamenco. \nWith an evolution of their musical language\, they offer a tribute to the purity of flamenco\, interpreted from a fresh\, free\, contemporary\, and empowered perspective. Singing\, playing\, and compás coexist with carefully crafted arrangements and a modern sensibility\, along with powerful lyrics in which the quartet seeks to break down classic male stereotypes in flamenco through a live performance with an overwhelming visual discourse from a free\, contemporary\, and empowered perspective.
URL:https://addaalicante.es/en/concierto/las-migas-flamencas/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/11julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260712T203000
DTEND;TZID=Europe/Madrid:20260712T213000
DTSTAMP:20260430T082742Z
CREATED:20260430T080008Z
LAST-MODIFIED:20260430T082742Z
UID:10002325-1783888200-1783891800@addaalicante.es
SUMMARY:JORGE PARDO trío
DESCRIPTION:Jorge Pardo\, flute and saxophone\nMelón Jiménez\, guitar\nBandolero\, percussion \nMy Trio\, always made up of Queens\, Kings\, and Aces of Flamenco/Jazz\, carries with it the knowledge of the very essence of music itself: rhythmic mastery\, the pleasure of improvisation\, knowing how to serve music as a whole\, not only as individuality but as collectivity too\, also involving the audience\, who are not passive observers\, but become\, through this ceremony\, accomplices in whatever happens at each concert… \nSoleares\, Seguiriyas\, Tangos\, Tarantos\, Bulerías\, and the other flamenco palos are treated with respect for their essence and with the strictest knowledge of flamenco roots\, but at the same time with the freedom every artist must take in order to make that message their own\, personal\, original\, and contemporary.\nIn short\, a 100% “Flamenco-jazz” experience\, though not attached to the usual clichés.
URL:https://addaalicante.es/en/concierto/jorge-pardo-trio/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/12julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260713T203000
DTEND;TZID=Europe/Madrid:20260713T213000
DTSTAMP:20260430T082737Z
CREATED:20260430T080058Z
LAST-MODIFIED:20260430T082737Z
UID:10002328-1783974600-1783978200@addaalicante.es
SUMMARY:MARCO MEZQUIDA “Táctil”
DESCRIPTION:Marco Mezquida\, piano and compositions\nMartin Meléndez\, cello\nAleix Tobias\, drums and percussion \nPianist Marco Mezquida presents Tàctil (2026) together with his regular trio\, completed by Martín Meléndez (cello) and Aleix Tobias (percussion). After years of shared artistic work\, the group has developed its own language based on deep listening and constant interaction. \nTheir music flows naturally between composition and improvisation\, combining lyricism\, rhythmic drive\, and great timbral richness. In Tàctil\, the trio explores the physical dimension of sound—gesture\, vibration\, contact—as the axis of a proposal that feels intimate and immersive. \nThe result is an intense and organic live performance in which moments of delicacy and expansive energy coexist\, inviting the listener into a deeply sensory musical experience.\nThrough this project\, the trio reaffirms a singular voice within today’s European scene\, where echoes of jazz\, classical music\, and Mediterranean tradition converge\, always in the service of a free and deeply communicative expression.
URL:https://addaalicante.es/en/concierto/marco-mezquida-tactil/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/13julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260714T203000
DTEND;TZID=Europe/Madrid:20260714T213000
DTSTAMP:20260430T082712Z
CREATED:20260430T080019Z
LAST-MODIFIED:20260430T082712Z
UID:10002331-1784061000-1784064600@addaalicante.es
SUMMARY:BvR FLAMENCO BIG BAND "Flamenco-Jazz XL"
DESCRIPTION:Bernard van Rossum\, tenor/soprano saxophone\, composition and arrangements\nMaría Marín\, vocals\, palmas\nKaren Lugo\, flamenco dance\nMarc Lopez\, flamenco guitar\nSergio Martinez\, percussion\nXavi Torres\, piano\nMiquel Alvarez\, double bass\, electric bass\nJoan Terol\, drums\nTete Leal\, alto saxophone\, flute\nLatino Blanco\, baritone saxophone\, bass clarinet\nRaúl García\, trumpet\nVoro García\, trumpet\nPepe Zaragoza\, trumpet\nPablo Martínez\, trombone\nPaco Soler\, trombone \nThe fusion of Flamenco and Jazz reaches a new dimension through this Big Band. Led by Spanish-Dutch saxophonist Bernard van Rossum and awarded the “Rogier van Otterloo Award 2022\,” it has appeared at festivals such as the North Sea Festival (NL)\, Jazz San Javier\, and Makhanda Jazz (South Africa)\, among others. \nAcross their three released albums\, they have collaborated with flamenco exponents such as Antonio Serrano\, Carles Benavent\, David de Jacoba\, and Rafael de Utrera. \nAfter more than ten years of artistic trajectory\, van Rossum returns to FIJAZZ with his acclaimed big band\, bringing together some of the most outstanding young figures in today’s flamenco and jazz scene\, including singer María Marín\, virtuoso pianist Xavi Torres\, and flamenco dancer Karen Lugo.\n“I heard some new territory that night…” \nKenny Werner\n“His engaging compositions and arrangements are awash in perception and authenticity.”All About Jazz
URL:https://addaalicante.es/en/concierto/bvr-flamenco-big-band-flamenco-jazz-xl/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/14julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260715T203000
DTEND;TZID=Europe/Madrid:20260715T213000
DTSTAMP:20260430T082700Z
CREATED:20260430T080017Z
LAST-MODIFIED:20260430T082700Z
UID:10002334-1784147400-1784151000@addaalicante.es
SUMMARY:DAVID PASTOR All Stars “Legacy of blue”
DESCRIPTION:Feat. Adrian Cunningham \nDavid Pastor\, trumpet\nAdrian Cunningham\, tenor saxophone\nGabriel Amargant\, alto saxophone\nFrancesc Capella\, piano\nTom Warburton\, double bass\nAnton Jarl\, drums \nIn Legacy of Blue\, David Pastor brings together an exceptional All Stars line-up to revisit the sonic universe that changed the history of jazz forever. Inspired by the legacy of Kind of Blue and by the revolutionary vision of Miles Davis and John Coltrane\, the project proposes a journey through the modal elegance\, lyrical depth\, and expressive freedom that defined an unrepeatable era. Together with Adrian Cunningham on tenor saxophone\, Gabriel Amargant on alto saxophone\, Francesc Capella on piano\, Tom Warburton on double bass\, and Anton Jarl on drums\, David Pastor leads a first-rate sextet that expands the imagination of Kind of Blue toward other masterpieces by Miles and Coltrane. From the hypnotic atmosphere of So What to the suspended beauty of Flamenco Sketches\, Legacy of Blue becomes a living celebration of the blue sound: sophistication\, risk\, and emotion in the service of music that continues to set the pulse of contemporary jazz.
URL:https://addaalicante.es/en/concierto/david-pastor-all-stars-legacy-of-blue/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/15julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260716T203000
DTEND;TZID=Europe/Madrid:20260716T213000
DTSTAMP:20260430T082712Z
CREATED:20260430T080016Z
LAST-MODIFIED:20260430T082712Z
UID:10002337-1784233800-1784237400@addaalicante.es
SUMMARY:IBERIAN TRIO "Ponte Ibérica"
DESCRIPTION:Feat. Jorge Rossy \nJúlio Resende\, piano\nRomeu Tristão\, double bass\nJorge Rossy\, drums \nPonte Ibérica proposes a sonic journey in which tradition and contemporaneity engage in dialogue through the language of jazz. The Iberian Trio creates an open space in which composition and improvisation intertwine naturally\, giving rise to music rich in nuance and deeply evocative in character. \nThe repertoire combines original pieces with diverse influences\, developed through the musicians’ constant interaction. Melody\, rhythm\, and texture are articulated in a fluid discourse that moves between introspection and collective energy. \nThe special collaboration of Jorge Rossy\, a key figure in European jazz\, renowned for his sensitivity and versatility\, adds an extra dimension to the project\, enriching the musical dialogue with his subtle sound and profound listening ability. \nThe result is an elegant and suggestive proposal in which music acts as a bridge between languages and sensibilities.
URL:https://addaalicante.es/en/concierto/iberian-trio-ponte-iberica/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/16julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260717T203000
DTEND;TZID=Europe/Madrid:20260717T213000
DTSTAMP:20260430T082628Z
CREATED:20260430T080054Z
LAST-MODIFIED:20260430T082628Z
UID:10002340-1784320200-1784323800@addaalicante.es
SUMMARY:CARLES BENAVENT trío
DESCRIPTION:Carles Benavent\, bass\nRoger Mas\, vocals\nToni Pagès\, drums\, percussion \nThe convergence of these three musicians gives rise to a singular proposal in which song\, jazz\, and Mediterranean roots converse naturally. Carles Benavent\, a key figure in the renewal of bass in flamenco and jazz; Roger Mas\, one of the most distinctive voices in singer-songwriter music; and Toni Pagès\, a drummer of great sensitivity and versatility\, create an intimate sonic space that is at the same time open to exploration. \nThe repertoire moves between original compositions and reinterpretations\, in a stripped-down format that emphasizes expressiveness\, nuance\, and interaction. The voice is integrated as one more instrument within the trio\, while bass and percussion weave an accompaniment rich in texture and pulse. \nThe result is a concert of great poetic depth\, where tradition and modernity meet in a direct\, elegant\, and deeply communicative language.
URL:https://addaalicante.es/en/concierto/carles-benavent-trio/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/17julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260718T203000
DTEND;TZID=Europe/Madrid:20260718T213000
DTSTAMP:20260430T082625Z
CREATED:20260430T080028Z
LAST-MODIFIED:20260430T082625Z
UID:10002351-1784406600-1784410200@addaalicante.es
SUMMARY:NIÑO JOSELE “Paz”
DESCRIPTION:A Tribute to Bill Evans \nNiño Josele\, flamenco guitar\nDani Noel\, double bass\nDaniel García Bruno\, drums\nGuest artist: Raynald Colom\, trumpet \nTwenty years after its release\, Paz returns to the stage as a reinterpretation of Bill Evans’s musical universe through Niño Josele’s perspective. In this project\, flamenco guitar assumes the role of the piano\, translating its harmonic richness into a language of its own. \nConceived as a jazz project rather than a fusion project\, the trio creates an intimate and open sonic space in which improvisation and interaction are essential. The repertoire combines pieces from the original album with new readings\, in a balance between structure and freedom. \nThe result is a delicate and deeply expressive proposal that reveals music’s ability to build bridges between traditions from a personal and contemporary voice. \nMore than a reinterpretation\, Paz functions as a shift in perspective: Evans’s language is not transferred\, but transformed. The guitar does not imitate the piano\, but reimagines it through its own sonic material\, generating a subtle tension between memory and present that defines the character of the concert.
URL:https://addaalicante.es/en/concierto/nino-josele-paz/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/18julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260719T203000
DTEND;TZID=Europe/Madrid:20260719T213000
DTSTAMP:20260430T082507Z
CREATED:20260430T080031Z
LAST-MODIFIED:20260430T082507Z
UID:10002344-1784493000-1784496600@addaalicante.es
SUMMARY:ZENET “La voz y las manos”
DESCRIPTION:Lila Horovitz\, bass\nAaron Pozo\, saxophone\nRaúl Kiokio\, guitar \nZenet returns to the stage with a concert in which he will present live his new work\, The Voice and the Hands\, his most intimate album since Los mares de China\, centered on the essence of song and the genres that have shaped his life. After a career in which he has shown himself to be a true thief of genres\, suggesting tangos\, hinting at bossas\, flirting with bolero or chanson\, in this new work he fully immerses himself in each of them. He does not merely reference them: he inhabits them. Through bolero\, tango\, bossa nova\, and folk\, a pure and sincere sound resonates with real instruments and voices at the forefront\, in a proposal free of digital artifice. This new album is born from a tribute to José Taboada\, his absent yet ever-present musical companion on this journey\, with stops in memories\, roots\, and handcrafted sound. An album that is not only heard\, but felt. It is not just a concert: it is a sonic journey that embraces the past and brings it into the present\, with Zenet as its protagonist\, laying himself bare and reaching the stage in his fullest expression.
URL:https://addaalicante.es/en/concierto/zenet-la-voz-y-las-manos/
LOCATION:Alicante
CATEGORIES:FIJAZZ
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/04/19julio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260926T200000
DTEND;TZID=Europe/Madrid:20260926T210000
DTSTAMP:20260528T082220Z
CREATED:20260528T060008Z
LAST-MODIFIED:20260528T082220Z
UID:10002357-1790452800-1790456400@addaalicante.es
SUMMARY:El anillo sin palabras
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nJOSEP VICENT\, Principal Conductor \n Wagner\, El anillo sin palabras (arr. Lorin Maazel) \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nADDA SIMFÒNICA ALICANTE\nNominated for the GRAMMY® and Latin GRAMMY®\nTwice awarded by the Academy of Music of Spain \nThe permanent symphony orchestra of the “Fundación de la Comunitat Valenciana – ADDA”\, and at the same time the resident orchestra of the Auditorio de la Diputación de Alicante\, it has swiftly become an important part of Spanish musical life since its creation in 2018. Surrounded by the light of the Mediterranean coast\, ADDA·SIMFÒNICA ALICANTE stands out for its unique sonic personality\, a reflection of its founder and chief conductor Josep Vicent. An “author’s orchestra” capable of awakening emotion and inspiration in every concert. \nIts regular season combines high-level symphonic series with world-renowned artists\, together with international projects such as the recent Asian tour (double concert at Suntory Hall in Tokyo and Osaka)\, the Christmas Concert at the Palau de la Música in Barcelona\, staged productions at the Ljubljana and Berlioz festivals\, and upcoming debuts in Budapest and Sofia. \nThe orchestra innovates through stylistic versatility\, the talent of its musicians\, and social commitment: educational and staged activities\, concerts in care homes\, social centres\, and hospitals. Its renewing hallmark can be seen in its interpretation of the music of our time\, world premieres\, and staged productions with Emilio Sagi or La Fura dels Baus (El amor brujo\, Carmen\, La Bohème\, La Creación\, Carmina Burana\, Pastoral for the Planet). Also noteworthy are the Symphonic Jazz of the “Chick Corea Symphony Tribute” project and the complete audiovisual version of Stravinsky’s ballets. \nIts discographic and audiovisual output (Warner Classics\, Aria Classics\, Parma Recordings\, Discmedi\, IMM Klassik) has received four Melómano de Oro awards\, and multiple GRAMMY and Latin GRAMMY nominations. Renowned artists such as Valery Gergiev\, María João Pires\, Javier Perianes\, Paquito D’Rivera\, Pablo Sainz-Villegas\, Katia and Marielle Labèque\, Denis Kozhukhin\, and Joaquín Achúcarro have left their mark on its stages. \nWith its unstoppable artistic trajectory\, critics define it as “a world-class instrument that spreads enthusiasm\, with an energy and a sound within the reach of very few orchestras”; ADDA·SIMFÒNICA ALICANTE and its chief conductor Josep Vicent have become an essential cultural brand of their territory. \n\nJOSEP VICENT\nJosep Vicent is the founding Artistic Director and Principal Conductor of ADDA Simfònica\, as well as Principal Conductor and Artistic Director of the Argovia Philharmonic in Switzerland. He has developed an extensive and highly personal creative activity as Music Director with La Fura dels Baus and Carlus Padrissa since 2014\, Resident Conductor of the Berlioz Festival in France since 2024\, Associate Music Director of the Ljubljana Festival since 2015\, and alongside Guy Caron of Cirque du Soleil. \nNominated multiple times for the GRAMMY®️ and Latin GRAMMY®️ Awards\, he is a two-time winner of the Spanish Academy of Music Award. He has received the Jeunesses Musicales Award\, the “City of Valencia” Arts Award\, the Oscar Esplà Award\, the IMPORTANTES Award from Prensa Ibérica\, Cadena COPE’s Culture Award\, the MIN Award for Best Classical Album\, and the Melómano de Oro Award on five occasions. \nJosep Vicent is today a renowned maestro with an outstanding international career\, with projects\, recordings\, tours and programmes leading: the London Symphony Orchestra\, New World Symphony Orchestra Miami\, Royal Liverpool Philharmonic\, Rotterdam Philharmonic\, Radio Metropole Orkest\, Royal Philharmonic Orchestra\, Residentie Orkest\, Mariinsky Theatre Orchestra\, Paris Chamber Orchestra\, Orquesta Nacional de España\, Orquestra de Barcelona i Nacional de Catalunya\, Zuid-Nederland Philharmonie\, Buenos Aires Philharmonic\, WDR\, Orchestre National de Lille\, Orchestre National d’Île-de-France\, Arthur Rubinstein Philharmonie\, Slovak Philharmonic\, Oulu Symphony Orchestra Finland\, Columbus Symphony Orchestra\, Orquesta de Valencia\, Sinfónica de Milán\, La Toscanini\, as well as the national symphony orchestras of Belgium\, Chile and Brazil\, among many others. \nHe regularly collaborates with classical\, jazz and hybrid soloists such as Pinchas Zuckerman\, Fazil Say\, Patrick Messina\, Sainz Villegas\, Paquito D’Rivera\, Maria João Pires\, Joe Alessi\, Katia & Marielle Labèque\, Joaquín Achúcarro\, Kozhukhin\, Floristán\, Antonio Serrano\, Leticia Moreno\, Ramón Vargas and Plácido Domingo. \nJosep Vicent has led productions at prestigious theatres and festivals around the world\, including the Rouen Opera\, Teatro Colón\, Teatro Real in Madrid\, Gran Teatre del Liceu in Barcelona\, Théâtre de La Monnaie in Brussels —with the production of Manuel de Falla’s Retablo de Maese Pedro in celebration of Spain’s European Capital of Culture—\, Leipzig Opera\, Mariinsky Theatre\, La Maestranza and Teatro Arriaga (Massenet\, Rossini\, Poulenc\, Montsalvatge…). His most personal projects\, including Carmen by Bizet with Emilio Sagi\, García Lorca\, Romeo & Juliet\, El amor brujo and Chick Corea\, have toured several countries. \nPreviously\, he was Artistic Director of the APG/Xenakis Festival\, Principal Conductor of the Balearic Islands Symphony Orchestra\, and Artistic Director and Principal Conductor of The World Orchestra of Jeunesses Musicales for 15 years\, with which he undertook extensive tours across four continents. For his charitable and social work in Africa and Asia\, as well as for his concerts around the world —including four appearances at the Berlin Philharmonie—\, he was appointed Ambassador of the Culture of Peace Foundation by Federico Mayor Zaragoza (UNESCO).\nHis crossover projects have consolidated a style of his own and opened up new aesthetic pathways. Numerous composers have written dedicated repertoire for him. In 2026/27 he will premiere music by Tan Dun\, Fazil Say\, David del Puerto\, Albert Guinovart\, and many others. \nWith ADDA Simfònica\, in an exceptional career trajectory\, he maintains an intense schedule with tours in Germany\, Spain\, France and Japan. Following the recent nine-concert tour\, including double performances in Osaka and Tokyo\, he will return to Japan in 2028. \nHis extensive discography is available on Deutsche Grammophon\, Aria Classics and Warner Classics. His latest album\, released in 2025\, was recorded with the London Symphony Orchestra and Venezuelan cellist Gregorio Nieto\, as well as the album Brahms/Berio with Patrick Messina and ADDA Simfònica. \nThe city of Alicante has appointed him “Cultural Ambassador”.
URL:https://addaalicante.es/en/concierto/el-anillo-sin-palabras/
LOCATION:Alicante
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/26sept_t1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261003T200000
DTEND;TZID=Europe/Madrid:20261003T210000
DTSTAMP:20260528T082131Z
CREATED:20260528T060033Z
LAST-MODIFIED:20260528T082131Z
UID:10002360-1791057600-1791061200@addaalicante.es
SUMMARY:“El sueño de Eros” Óscar Esplá 50
DESCRIPTION:ORQUESTA NACIONAL DE ESPAÑA\nPABLO GONZÁLEZ\, director \nOscar Esplá\, El sueño de Eros \nMahler\, Sinfonía núm. 5 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nSPANISH NATIONAL ORCHESTRA AND CHOIR \nCreated in 1937 by the Government of the Second Republic as the National Concert Orchestra\, and after a brief season of performances in Barcelona in 1938\, the National Orchestra of Spain\, now under its current name\, resumed activity after the hiatus caused by the Civil War in March 1942. Since then\, it has maintained an intense concert life that includes its regular series in Madrid —where it has been based at the National Auditorium of Music since 1988— and appearances at the main Spanish festivals and tours across Spain\, Europe\, America and Asia. \nWith the start of the 2026/27 season\, the Spanish National Orchestra and Choir -united as one institution since 1971-\, begins a new stage with the appointment of American conductor Kent Nagano as principal and artistic director. This appointment reaffirms the OCNE’s commitment to international projection. \nBefore Maestro Nagano\, the podium of the National Orchestra of Spain was held on a regular basis by David Afkham (from 2014 to 2026)\, Bartolomé Pérez Casas\, Ataúlfo Argenta\, Rafael Frühbeck de Burgos\, Antoni Ros-Marbà\, Jesús López Cobos\, Aldo Ceccato and Josep Pons. As guest conductors\, the National Orchestra in its early years worked with masters of the stature of Sergiu Celibidache\, Ígor Markévitch\, Rafael Kubelik\, Zubin Mehta and Riccardo Muti\, and\, in more recent times\, with figures such as Yuri Temirkánov\, Ton Koopman\, Gustavo Dudamel\, Semyon Bychkov\, Leonard Slatkin\, Christoph Eschenbach\, Pablo Heras-Casado\, Giovanni Antonini\, Juanjo Mena\, Joana Mallwitz\, Jörg Widmann\, Simone Young\, Anja Bihlmaier\, Gemma New\, Vladimir Ashkenazy\, William Christie and Susana Mälkki. \nSince September 2014\, the Spanish National Orchestra and Choir has released several recordings on its own label. Previously\, it issued albums such as Sonata suite\, awarded the Latin Grammy for Best Flamenco Album in 2010\, and El amor brujo with Estrella Morente (Deutsche Grammophon)\, as well as monographic recordings devoted to Benet Casablancas (Diverdi) and Cesar Camarero (Kairos). More recently\, the OCNE label has released symphonies by Mahler and Shostakovich\, with David Afkham; concertante works by Ginastera and Rodrigo\, under the direction of Juanjo Mena; and heritage recoveries of Ramón Carnicer and Manuel García. \nThe Spanish National Orchestra and Choir is a production unit attached to the National Institute for the Performing Arts and Music (INAEM)\, part of the Ministry of Culture. \n\nPABLO GONZÁLEZ. Conductor \nRecognised as one of the most versatile and passionate conductors of his generation\, Pablo González is a musician who conveys great inspiration both to orchestras and to audiences around the world\, “attentive to every silence and every entry of the symphony orchestra as a whole\, weaving and bringing order to this tonal revolution” (OperaWorld). \nHe has been Principal Conductor of the Spanish Radio and Television Orchestra and Choir (2019–2023) and of the Orquestra Simfònica de Barcelona i Nacional de Catalunya (2010–2015)\, Principal Guest Conductor of the Orquesta Ciudad de Granada and Assistant Conductor of the London Symphony Orchestra. \nAmong his recent and forthcoming engagements are appearances with the Royal Philharmonic Orchestra\, City of Birmingham Symphony Orchestra\, The Hallé\, Helsinki Philharmonic\, Deutsche Kammerphilharmonie Bremen\, Konzerthausorchester Berlin\, Frankfurt Radio Symphony\, Dresden Philharmonic\, Gürzenich-Orchester Köln\, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern\, Strasbourg Philharmonic\, Orchestre National d’Île de France\, Stavanger Symphony\, Residentie Orkest\, Liège Philharmonic\, Orchestra della Svizzera Italiana\, National Symphony Orchestra of Mexico\, Buenos Aires Philharmonic\, etc. \nIn Spain\, he maintains a close relationship with the Spanish symphony orchestras\, regularly appearing with them at different international festivals. \nAs an opera conductor\, notable engagements include Don Giovanni and L’elisir d’amore in two successful Glyndebourne Tours\, Carmen (San Sebastián Musical Fortnight)\, Una voce in off\, La voix humaine\, Die Zauberflöte\, Daphne and Rienzi at the Gran Teatre del Liceu (Barcelona)\, Tosca and Madama Butterfly (Oviedo Opera). \nHe has collaborated with soloists such as Maxim Vengerov\, Nikolai Lugansky\, Javier Perianes\, Khatia Buniatishvili\, Beatrice Rana\, Renaud Capuçon\, Gautier Capuçon\, Sol Gabetta\, Anne-Sophie Mutter\, Isabelle Faust\, Frank Peter Zimmermann\, Arcadi Volodos\, Viktoria Mullova\, Johannes Moser\, Truls Mørk and Viviane Hagner. \nAmong his recordings\, noteworthy is the Enrique Granados monographic set in three volumes\, as well as a CD featuring Bizet’s Carmen and L’Arlésienne suites\, recorded with the Orquestra Simfònica de Barcelona i Nacional de Catalunya for the Naxos label. Pablo González enjoys an ongoing collaboration with the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern (DRP)\, with whom he will soon record a CD of music by Emanuel Moor; his recording of Schumann with Lena Neudauer has been awarded the prestigious International Classical Music Award. \nBorn in Oviedo\, Pablo González studied at the Guildhall School of Music & Drama (London). He currently lives in the city of Oviedo.
URL:https://addaalicante.es/en/concierto/el-sueno-de-eros-oscar-espla-50/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/3OCT_T2.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261016T200000
DTEND;TZID=Europe/Madrid:20261016T210000
DTSTAMP:20260528T082053Z
CREATED:20260528T060040Z
LAST-MODIFIED:20260528T082053Z
UID:10002363-1792180800-1792184400@addaalicante.es
SUMMARY:“Zen Garden” Naturaleza\, vida y amor I
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nALICANTE SIMFONIST ORCHESTRA\nPATRICK MESSINA\, clarinet\nJOSEP VICENT\, principal conductor \nDvořák\, Obertura Carnaval\nTan Dun\, Three Lotuses in the Zen Garden\nClarinet Concerto *Estreno\nDvořák\, Sinfonía núm.9 “Del nuevo mundo” \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nPATRICK MESSINA. Clarinet \nPatrick Messina is one of the world’s most outstanding clarinettists\, with a distinguished career in both Europe and the United States\, where he trained in part. \nA pupil of violinist Yehudi Menuhin\, who called him “the magical clarinettist\,” he is also a renowned pedagogue in France and beyond.\nOf Spanish and Sicilian descent\, Messina was born in Nice\, France.\nHe studied clarinet with Guy Deplus and Michel Arrignon\, winning top prizes in both clarinet and chamber music at the Paris Conservatoire at just eighteen years of age. \nHe then moved to the United States to continue his studies at the Cleveland Institute of Music and Mannes College of Music in New York.\nMessina achieved major recognition in 1992\, when he was named laureate of the Yehudi Menuhin Foundation. \nHe won three other major prizes in the United States\, at the East and West International Auditions in New York\, the Heida Hermanns International Music Competition and the Ima Hogg National Competition in Houston\, and in 1996 he began working with the Metropolitan Opera Orchestra in New York. \nIn 2003 he returned to France to become principal clarinet of the Orchestre National de France under Kurt Masur. \nMessina has also served as guest principal clarinet with the Chicago Symphony Orchestra and the Concertgebouw Orchestra of Amsterdam.\nAs a concerto soloist\, he has appeared with the Orchestre National de France\, the Zurich Chamber Orchestra\, the Houston Symphony\, the Orchestre de Chambre de Paris\, the Orchestre de Cannes\, Adda-Simfònica Alicante\, the Orchestre de Chambre de Toulouse and the Kioi Sinfonietta Tokyo\, under the direction of Riccardo Muti\, Bernard Haitink\, Trevor Pinnock\, Yehudi Menuhin\, Daniele Gatti\, Jaap Van Zweden\, Josep Vicent\, Sasha Goetzel and Kristjan Jarvi. \nPatrick Messina has performed in chamber groups alongside Daniel Hope\, Jean-Yves Thibaudet\, Philippe Bianconi\, Édita Gruberova\, Garrick Ohlsson\, Fabrizio Chiovetta\, Antoine Tamestit\, Renaud and Gautier Capuçon\, Kian Soltani\, Lise Berthaud\, Edgar Moreau\, the Fine Arts Quartet\, the Beaux Arts Trio and the Philharmonia Berlin Quartett. \nHe is an Honorary Member of the prestigious Royal Academy of Music in London\, where he has also been a visiting professor since 2011\, and he is also a member of the faculty of the École Normale Alfred Cortot in Paris. \nMessina’s performance of Mozart’s Clarinet Concerto in A major\, K. 622\, under the baton of Riccardo Muti\, was recorded and released by Harmonia Mundi. This recording received high critical acclaim and was described as “one of the great performances of the last twenty years”.
URL:https://addaalicante.es/en/concierto/zen-garden-naturaleza-vida-y-amor-i/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/16OCT_T3.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261026T200000
DTEND;TZID=Europe/Madrid:20261026T210000
DTSTAMP:20260528T082010Z
CREATED:20260528T060010Z
LAST-MODIFIED:20260528T082010Z
UID:10002366-1793044800-1793048400@addaalicante.es
SUMMARY:Cielo y Tierra
DESCRIPTION:ORQUESTA SINFÓNICA DE DÜSSELDORF\nCoral Infantil Juan Bautista Comes\nOrfeó Universitari de Valencia\nCatriona Morison\, mezzosoprano\nADAM FISCHER\, Conductor \nMahler\, Sinfonía núm.3 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nDÜSSELDORF SYMPHONY ORCHESTRA \nThe orchestra „Düsseldorfer Symphoniker“\, whose activity takes place mainly in the concert hall „Tonhalle“ and at the „Deutsche Oper am Rhein“\, as well as through tours aimed at spreading music and culture\, has helped Düsseldorf acquire the reputation of a renowned cultural city. \nIn the 18th century\, musicians such as Händel and Corelli worked at the “Düsseldorfer Hofkapell“ court until it was dissolved. In 1818\, with the founding of the municipal music association\, an orchestral culture emerged in Düsseldorf that attracted many musicians such as Felix Mendelssohn and Robert Schumann. However\, it was not until 1864 that the orchestra of the city of Düsseldorf was founded as such\, making it one of the oldest orchestras in Germany. \nAs a result\, it became one of the country’s leading and major orchestras\, under the baton of great conductors such as Heinrich Hollreiser\, Euge Szenkar\, Jeean Martinon\, Rafael Frühbeck de Burgos\, Henryk Czyz\, Willem van Otterloo\, Bernhard Klee\, David Shallon\, Salvador Mas Conde\, John Fiore and Andrey Boreyko. \nMaestro Adam Fischer has been principal conductor since 2015. \nIn 2011 the orchestra went on a concert tour of Spain\, and in 2012 it took part in the „Beethoven Easter Festival“ in Poland\, as well as in Moscow. \nIn 2014 its musicians made their debut at the Vienna Musikverein and in May 2015 in Tokyo     with       a             tour                of           nine       concerts. \nIn 2017 and 2018 they were invited to Arnhem (Holland) and Moscow\, as well as the Concertgebouw in Amsterdam. In 2018 and 2019 the orchestra played in Budapest\, followed by a successful five-concert tour of Spain. \nTwo CDs of Mahler symphonies under the direction of Adam Fischer won two recognised awards in 2019. The First Symphony received the „BBC Award“ and the Third the „Opus Klassik“ award. \n\nADAM FISCHER\, Conductor \nHe was born in Budapest\, where he later also studied conducting and composition in Vienna with Hans Swarowsky. He won a joint first prize at the Cantelli Competition in Milan in 1973\, and later held positions at the Graz Opera\, Karlsruhe and Freiburg\, where he was general music director. His association with the Vienna State Opera also began that same year. Between 1987 and 1992\, Fischer was music director of Kassel Opera and in July 1989 he presented and conducted the first Gustav Mahler Festival (of which he is founder and artistic director) in Kassel. For this he created a new orchestra and obtained important support from the German government. This Festival continues to flourish today. He conducts many productions for Zurich Opera\, with international artists such as Thomas Hampson\, Edita Gruberova and Cecilia Bartoli. Recent seasons have included L’anima del filosofo (Haydn)\, Cenerentola\, and Matrimonio segreto (Cimarosa) and a revival of his highly successful Linda di Chamounix\, with Gruberova\, for television. In January 1997 Fischer also took the Hungarian State Symphony to Athens for a complete production of Verdi’s Macbeth. \nFischer has conducted a large number of orchestras internationally\, including the Vienna Philharmonic\, the Orchestre de Paris\, the London Philharmonic\, the Royal Philharmonic\, the Danish Radio Symphony\, the Dresden Philharmonic\, the Tonhalle Orchestra Zurich and the Bamberg Symphony. He also collaborates closely with the Vienna Chamber Orchestra. His first Japanese tour was in 1984; since then he has returned regularly. Fischer made his debut with the Boston Symphony and the Chicago Symphony in 1984\, and that year toured the United States with the Hungarian State Symphony Orchestra. In 1987\, Adam Fischer launched the Austro-Hungarian Haydn Festival and Orchestra in Eisenstadt\, Austria; he is currently the orchestra’s music director. The Festival is now established internationally and attracts major orchestras\, ensembles and soloists from all over the world. With the Austro-Hungarian Haydn Orchestra\, he is currently recording the complete Haydn symphonies for Nimbus. Fischer has also recorded for CBS\, EMI\, Hungaroton and Delta. His BBC film of Bartók’s Bluebeard’s Castle with the LPO won the Premio Italia 1989 and the Royal Philharmonic Society and Charles Heidsieck award for BBC Radio/TV/Video.
URL:https://addaalicante.es/en/concierto/cielo-y-tierra/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/26OCT_T4.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261106T200000
DTEND;TZID=Europe/Madrid:20261106T210000
DTSTAMP:20260528T081926Z
CREATED:20260528T060005Z
LAST-MODIFIED:20260528T081926Z
UID:10002369-1793995200-1793998800@addaalicante.es
SUMMARY:Génesis
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nBLAKE POULIOT\, violin\nJOSEP VICENT\, director titular \nShostakovich\, Concierto para violín núm.1\nShostakovich\, Sinfonía núm.1 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nBLAKE POULIOT\, violin \nDescribed as “immaculate\, at once refined and passionate” (ArtsAtlanta)\, violinist Blake Pouliot (pool-YACHT) has established himself among the ranks of classical music’s great prodigies. A tenacious young artist\, with a passion that captivates his audience in every performance\, Pouliot has asserted himself as “one of those special talents that come along once in a lifetime” (Toronto Star). \nAs a soloist\, among the highlights of his concerts for the 2025-26 season is his return to the National Arts Centre Orchestra to open the season with its music director\, Alexander Shelley\, performing Shostakovich’s Violin Concerto No. 1. He will make his debut with the Illinois Symphony\, performing Rózsa’s Violin Concerto with its music director\, Taichi Fukumura\, and with the Columbus Symphony\, performing Korngold’s Violin Concerto with Josep Vicent. Other concerto appearances include engagements with the Rochester Philharmonic\, as well as a tour with the Prague Philharmonia across Spain and the United States\, culminating in a performance at Carnegie Hall\, marking Blake’s debut in the Stern Auditorium. His recitals this season include Newport Classical\, the Vancouver Chamber Music Society\, the Artist Series of Sarasota and Portland Ovations\, together with his long-time collaborator\, pianist Henry Kramer. \nSince his orchestral debut at age 11\, Pouliot has performed with the orchestras of Aspen\, Atlanta\, Detroit\, Dallas\, Madison\, Montreal\, Toronto\, San Francisco and Seattle\, among many others. He has collaborated with numerous leading figures in the musical world\, including conductors Yannick Nézet-Séguin\, Matthias Pintscher\, Sir Neville Marriner\, David Afkham\, Pablo Heras-Casado\, JoAnn Falletta\, Marcelo Lehninger\, Vasily Petrenko and Thomas Søndergård. \nPouliot has taken part twice in Rob Kapilow’s What Makes it Great? series and has been a resident artist on NPR’s Performance Today in Minnesota (2017/18)\, Hawaii (2018/19) and throughout Europe (2021/22). Earlier\, he won the Grand Prize at the Orchestre Symphonique de Montréal’s Manulife Competition in 2016 and was named First Laureate in both 2018 and 2015 by the Canada Council for the Arts Musical Instrument Bank. \nPouliot plays a 1729 Guarneri del Gesù\, generously loaned by an anonymous donor.
URL:https://addaalicante.es/en/concierto/genesis/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/6nov_T5.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261114T200000
DTEND;TZID=Europe/Madrid:20261114T210000
DTSTAMP:20260528T081849Z
CREATED:20260528T060037Z
LAST-MODIFIED:20260528T081849Z
UID:10002372-1794686400-1794690000@addaalicante.es
SUMMARY:La Danza
DESCRIPTION:ORQUESTA FILARMÓNICA CHECA\nMAO FUJITA\, piano \nSEMYON BYCHKOV\, director \nSmetana\, La novia vendida: \nObertura\, Furiant\, y Danza de los comediantes\nStrauss\, Burleske para piano\nRachmaninov\, Danzas Sinfónicas \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nCZECH PHILHARMONIC ORCHESTRA \nGramophone Orchestra of the Year in 2024\, the Czech Philharmonic is one of the world’s leading orchestras and the Czech Republic’s foremost cultural ambassador. In its 131st season\, it combines a deeply rooted musical tradition and expands its international presence through tours\, residencies and recordings. \nDuring the Czech Music Year 2024\, the orchestra and its Chief Conductor and Music Director\, Semyon Bychkov\, gave a three-day residency at Carnegie Hall. That same year Smetana’s Má vlast received BBC Music Magazine’s 2025 Orchestral Award. Alongside Czech repertoire\, the orchestra has a long relationship with composers such as Brahms\, Tchaikovsky and Mahler\, which has resulted in a series of benchmark recordings\, including The Tchaikovsky Project (2019) and a Mahler symphony cycle (2026). An upcoming release includes Shostakovich’s Symphonies Nos. 5 and 7.\nIn Prague they open their 131st season with Shostakovich’s Violin Concerto No. 1\, with their Artist-in-Residence Janine Jansen\, alongside Dvořák’s Seventh Symphony. They have a tour to Stockholm\, Helsinki and Lucerne\, and residencies in London\, Vienna and Hamburg. \nWith Bychkov\, the repertoire includes Má vlast and works by Mussorgsky\, Ravel\, Adams\, Strauss\, Glanert and Britten\, as well as a special focus on Rachmaninoff. Beethoven’s Ninth Symphony\, performed with the Prague Philharmonic Choir\, will commemorate the 200th anniversary of the composer’s death in 2027. \nChief Conductor and Music Director Designate Jakub Hrůša and Principal Guest Conductor Sir Simon Rattle return alongside guest conductors such as Vasily Petrenko\, David Robertson\, Elim Chan\, Maxim Emelyanchev and Daniel Harding. Guest soloists include Yuja Wang\, Behzod Abduraimov\, Mao Fujita\, Yunchan Lim\, Seong-Jin Cho\, Karen Gomyo\, Radek Baborák\, Fleur Barron and Kirill Gerstein.\nIts distinguished history reflects its central European location and the country’s complex political past. A pioneer in promoting the music of Martinů and Janáček\, it gave its first concert in 1896 with a programme devoted entirely to Dvořák and conducted by the composer himself. Alongside its commitment to Czech creators\, the orchestra’s belief in the transformative power of music remains a guiding principle: its educational programmes involve more than 400 schools across the country\, support young musicians and promote social inclusion. \n\nMao Fujita. Piano \nWith an innate musical sensitivity\, 26-year-old pianist Mao Fujita made his U.S. debut at Carnegie Gall in 2023\, impressing critics\, and The New York Times took note of his debut.\nHe was born and studied in Tokyo\, and in 2017 he won First Prize at the prestigious Clara Haskil International Piano Competition in Switzerland\, along with the Audience Prize\, the Prix Modern Times and the Prix Coup de Coeur. In 2019 he won the Silver Medal at the International Tchaikovsky Competition in Moscow. \nIn the 2025/26 season\, Fujita continues his impressive trajectory at major festivals and concert halls around the world\, including concerts at the Salzburg Festival\, Vienna\, Paris\, Rome\, Luxembourg\, Hamburg\, Dortmund\, Gstaad\, Warsaw\, Tenerife\, Lisbon\, Copenhagen\, Lyon and Aix-en-Provence\, as well as a recital tour of the U.S. with performances in New York\, Cleveland\, Boston\, Minnesota\, San Francisco\, Vancouver and San Diego. Notable are tours in Asia and Europe with the Filarmonica della Scala (Chung)\, Deutsche Kammerphilharmonie Bremen (Järvi)\, Orchestre Philharmonique de Radio France (van Zweden) and Royal Philharmonic Orchestra (V. Petrenko). In addition\, he will make his debut with the Boston Symphony Orchestra\, Toronto Symphony Orchestra\, KBS Symphony Orchestra\, Oslo Philharmonic Orchestra\, Danish National Symphony Orchestra\, as well as with the Orchestre de Chambre de Lausanne\, and will return to the Czech Philharmonic\, Gewandhausorchester\, Wiener Symphoniker\, Deutsches Symphonie-Orchester Berlin\, Orchestre National du Capitole de Toulouse and the Orchestra Sinfonica Nazionale della RAI. \nHe has worked with conductors of the stature of Semyon Bychkov\, Riccardo Chailly\, Elim Chan\, Myung-Whun Chung\, Christoph Eschenbach\, Daniele Gatti\, Manfred Honeck\, Jakub Hrůša\, Marek Janowski\, Andris Nelsons\, Petr Popelka\, Lahav Shani and Kazuki Yamada. \nAs a chamber musician he collaborates with Renaud Capuçon\, Leonidas Kavakos\, Emanuel Ax\, Kirill Gerstein\, Antoine Tamestit\, Kian Soltani and the Hagen Quartet. \nFujita is an exclusive Sony Classical artist. His latest recording\, ‘72 Preludes’\, includes the 24 Preludes by Chopin\, Scriabin and Yashiro\, and was released in 2024. His debut album came in 2022\, performing the Complete Mozart Piano Sonatas. \nAt the age of three he began playing the piano and won his first international prize in 2010 at the World Classic in Taiwan. \nFujita has been a member of the Konzerthaus Dortmund’s “Junge Wilde” series since the 24/25 season. \n\nSEMYON BYCHKOV. Director \nSemyon Bychkov marked the Czech Philharmonic’s 130th anniversary in 2026 with extensive tours in Asia and Europe and with PENTATONE’s release of the nine Mahler symphonies. In the 2026/2027 season he returns to the repertoire of his formative years and\, alongside the Czech masters\, will conduct works by Shostakovich\, Rachmaninoff and Mussorgsky. \nBorn in Leningrad (now Saint Petersburg) in 1952\, he emigrated to the United States in 1975 and\, since the mid-1980s\, has lived in Europe. He enjoyed success as music director of the Grand Rapids Symphony Orchestra and the Buffalo Philharmonic and\, after a series of high-profile cancellations that led to engagements with the New York and Berlin Philharmonics and the Royal Concertgebouw Orchestra\, he returned as principal guest conductor of the St Petersburg Philharmonic in 1989. He was appointed music director of the Orchestre de Paris (1989); chief conductor of WDR Cologne (1997); and chief conductor of the Semperoper Dresden (1998). From August 2026\, Bychkov will be music director designate of the Paris Opera\, assuming the post of music director in 2028. \nBychkov conducts in all the major opera houses\, including La Scala in Milan\, the Royal Opera House\, Covent Garden in London\, and the Metropolitan Opera in New York. In Europe he is a frequent guest of the Royal Concertgebouw Orchestra\, the Munich\, Berlin and Vienna Philharmonics\, the Gewandhausorchester Leipzig\, the Orchestre National de France and the Accademia Nazionale di Santa Cecilia; while in the United States he conducts the New York Philharmonic\, the Chicago Symphony\, the Los Angeles Philharmonic Orchestra\, and the Philadelphia and Cleveland orchestras. The warmth of Bychkov’s relationships is particularly reflected in the honorary titles he holds at the Royal Academy of Music and the BBC Symphony Orchestra\, which he conducts regularly at the BBC Proms. \nSemyon Bychkov was named Conductor of the Year by the International Opera Awards (2015) and by Musical America (2022).
URL:https://addaalicante.es/en/concierto/la-danza/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/14nov_T6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261127T200000
DTEND;TZID=Europe/Madrid:20261127T210000
DTSTAMP:20260528T081811Z
CREATED:20260528T060023Z
LAST-MODIFIED:20260528T081811Z
UID:10002375-1795809600-1795813200@addaalicante.es
SUMMARY:“Natura“ Naturaleza\, vida y amor II
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nCARLES MARÍN\, piano\nNAYDEN TODOROV\, director invitado \nDvořák\, Obertura “En el reino de la naturaleza”\nSaint-Saëns\, Concierto núm.5 “Egipcio”\nBeethoven\, Sinfonía núm.8 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nCARLES MARÍN. Piano \nPianist Carles Marín has given recitals in some of the most prestigious international concert halls\, such as the Miami International Piano Festival\, the Mozarteum’s “Grosser Saal” within the Salzburg Festival\, the Concertgebouw in Amsterdam\, Le Doelen in Rotterdam\, the “Sala Michelangeli” at the Festival di Bolzano\, Salle Cortot in Paris\, Salle Gotique in Brussels\, the Florence Festival\, the “Seymour Center” in Sydney\, the “Festival del Mediterri” (under the artistic direction of Maestro Zubin Mehta)\, the “Rafael Orozco” Festival in Córdoba\, the “Manuel de Falla” Auditorium in Granada\, the Palau de la Música Catalana\, the “Juan March” Foundation in Madrid\, the Festival d´Echternatch- Luxembourg\, the Festival di Lucca\, the symphonic hall of the Palau de Les Arts “Reina Sofía”\, the “Iturbi” Hall of the Palau de la Música in Valencia\, the “Mozart” Hall of the Auditorium in Zaragoza\, the “Bossi” Hall in Bologna or the Ateneo in Milan\, among others. \nAfter being introduced in his youth by Maestro Miguel Ángel Gómez-Martínez\, he has performed as a soloist with major ensembles\, such as the symphony orchestras of de de la Comunidad Valenciana and Principal of the Palau de Les Arts\, Castilla y León\, Valencia\, Rotterdam Ensemble\, Mahler Chamber Soloists\, “Reina Sofía” of Madrid\, Córdoba\, Moondwinds Simfònic\, Castellón\, Elche or Andrés Segovia\, among others\, under batons such as Bernácer\, Bragado\, Dinic\, García Asensio\, Omer Meir Wellber\, Soler\, Beltrán-Zabala\, Valero Terribas\, Lluna\, Josep Vicent or Liebreich.\nAs a composer\, his Piano Studies stand out\, as well as the «Paraphrase on Wagner’s Ride of the Valkyries» (Boileau publishing house\, Barcelona). His variation series “Matrioshka” and “Fígaro” will be premiered by Marín himself at the Gustav Mahler Center in Dobbiaco in the summer of 2026. \nHe is the winner of various prizes in international competitions\, such as the first prize “Scarlatti” (Universitat Mozarteum Sazlburg\,2007)\, Prize for Best Soloist of the Internationale Sommerakademie Mozarteum (Salzbugo\,2008)\, First Prize at the Concourse Flame (held at UNESCO in Paris\, 2003)\, First Prize José Roca (Valencia\, 2000)\, First Prize “Yamaha Foundation of Europe” (2001)\, Huygens Prize of Amsterdam for artistic excellence (awarded by the Dutch Government\, 2007)\, Second Prize “Marsala International Competition” (2007). He has also been laureate in other international competitions\, such as Panamá\, Iturbi\, Vianna da Mota\, Baltic (Gdansk) and Sydney. \nHe studied with Amparo Fandos\, María Gil\, Joaquín Soriano\, Ramzi Yassa\, Aquiles Delle Vigne\, Mario Monreal Claudio Martínez- Mehner\, Giselle Brodsky\, Joaquín Achúcarro\, Edna Golandsky and Jorge Luís Prats. He received guidance from Alicia de Larrocha and Michel Béroff. \nHe is a professor at the Centro Superior de Enseñanza Musical Katarina Gurska in Madrid. \n\nNAYDEN TODOROV. Guest conductor \nNayden Todirov is one of the outstanding contemporary European musicians\, known for his versatile and vivid interpretations of music across different genres. \nBorn in 1974 in Plovdiv\, Bulgaria\, he received his first piano lessons at the age of five and at sixteen made his debut as an orchestra conductor. \nAfter his studies in Sofia\, Vienna and Jerusalem\, he began a concert career\, performing throughout Europe\, North America\, South America\, Asia and Africa. \nHe has worked with orchestras such as the Vienna Symphony Orchestra\, the London Symphony Orchestra\, the Tokyo City Philharmonic\, the Israel Northern Symphony Orchestra\, the Berlin Symphony Orchestra\, the National Symphony Orchestra of Brasília\, the Cairo Philharmonic Orchestra\, the Sicilian Symphony Orchestra and many others. \nIn classical music he has worked with most of the leading musicians of our time\, including Joshua Bell\, Midori\, Sarah Chang\, Maxim Vengerov\, Martha Argerich\, Maria João Pires\, Ivo Pogorelich\, Gautier Capuçon\, Roberto Alagna\, Thomas Hampson and Plácido Domingo\, among others. He has also collaborated with numerous pop musicians\, such as Jon Lord of Deep Purple\, Anastacia\, Steve Balsamo\, Doogie White and many more. \nHe is the presenter of a television programme on classical music and\, in his free time\, writes short stories\, some of which have been published in a book. \nIn his home country he was elected “Musician of the Year” twice. \nFor his work\, he was distinguished by the President of Romania with the Order of Cultural Merit in the rank of “Grand Officer”. A few days ago\, moreover\, he was named Knight of the Order of Arts and Letters of the French Republic. \nSince 2017 he has been music director of the Sofia Philharmonic and in recent years has also served three times as Minister of Culture of Bulgaria.
URL:https://addaalicante.es/en/concierto/natura-naturaleza-vida-y-amor-ii/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/27nov_T7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20261211T200000
DTEND;TZID=Europe/Madrid:20261211T210000
DTSTAMP:20260528T081657Z
CREATED:20260528T060049Z
LAST-MODIFIED:20260528T081657Z
UID:10002378-1797019200-1797022800@addaalicante.es
SUMMARY:Canto de luz
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nBENEDICT KLOECKNER\, violonchelo\nMARGARITA BALANAS\, directora invitada \nMozart\, Sinfonía núm. 35 “Haffner”\nHaydn\, Concierto para violonchelo en Do mayor\nMendelssohn\, Sinfonía núm. 2 “Lobgesang” (Himno de Alabanza) \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nBENEDICT KLOECKNER. Cello \nBenedict Klöckner is today among the most distinguished cellists of his generation. Winner of numerous international competitions\, he pursues an intense career as a soloist with top-level orchestras\, including the Royal Philharmonic Orchestra in London\, the Deutsche Radiophilharmonie\, the NDR Radiophilharmonie\, the Mozarteum Orchester Salzburg\, the Kremerata Baltica\, the MDR Symphony Orchestra and the Munich Chamber Orchestra. Throughout his career he has worked with conductors such as Daniel Barenboim\, Christoph Eschenbach\, Michael Sanderling\, Ingo Metzmacher\, Vladimir Fedoseyev\, Joana Mallwitz\, Cristian Măcelaru and Sir Simon Rattle. \nHis artistic presence has taken him to internationally renowned stages such as the Berlin Philharmonie\, New York’s Carnegie Hall\, Washington’s Kennedy Center\, Tokyo’s Suntory Hall\, Vienna’s Musikverein\, Zurich’s Tonhalle and Amsterdam’s Concertgebouw. A regular guest at international festivals\, he has shared the stage with musicians such as Emanuel Ax\, Lisa Batiashvili\, Gidon Kremer and Anne-Sophie Mutter\, consolidating a career that combines solo projection\, chamber music and a close relationship with some of the world’s leading musical centres. \nFor more than ten years he has been founder and artistic director of the International Music Festival of Koblenz\, IMUKO. In the 2025/2026 and 2026/2027 seasons he maintains a particularly prominent international schedule\, with appearances at Hamburg’s Elbphilharmonie\, the Berlin Philharmonie\, the Cologne Philharmonie\, Zurich’s Tonhalle\, Tokyo’s Suntory Hall and Amsterdam’s Concertgebouw\, in addition to his return to New York at Lincoln Center and his debut with the NCPA Orchestra in Beijing. \nHis recent discography includes the album Dvořák\, released by Berlin Classics in 2024 with Cristian Măcelaru\, the Romanian Chamber Orchestra and Danae Dörken\, as well as the recording of the Brahms sonatas with Yu Kosuge\, released by Sony in 2023. He has also recorded the complete Bach Cello Suites\, and his recordings have been recognised with distinctions such as the OPUS Klassik Award and the Supersonic Award. \nTrained at the Hochschule für Musik in Karlsruhe with Martin Ostertag and at the Kronberg Academy with Frans Helmerson and Gary Hoffman\, Benedict Klöckner is currently a professor at the École Normale de Musique de Paris. He plays the “Ex Maurice Gendron” cello\, built by Francesco Ruggeri in 1680. Also committed to contemporary creation\, he has premiered works by Wolfgang Rihm\, Eun Hwa Cho\, Eric Tanguy and Dai Fujikura in important international concert contexts. \n\nMARGARITA BALANAS. Guest conductor \nLatvian cellist and conductor Margarita Balanas has established herself as one of the most singular musicians of her generation\, with appearances at Carnegie Hall\, the Berliner Philharmonie\, the Royal Albert Hall\, the Royal Festival Hall\, Wigmore Hall\, the Sydney Opera House\, the Fondation Louis Vuitton and L’Auditori in Barcelona. She has received Latvia’s Grand Music Award and has appeared as a soloist with the Munich Philharmonic\, the Barcelona Symphony Orchestra and the Royal Liverpool Philharmonic Orchestra\, in addition to taking part in festivals such as the Dresdner Musikfestspiele\, the International Cello Festival Shanghai\, the Moritzburg Festival and the Festival Radio France Occitanie Montpellier. She is a Decca Classics artist and\, together with her sister\, violinist Kristīne Balanas\, has released Castillo Interior by Pēteris Vasks. She has also collaborated closely with Anne-Sophie Mutter and the Mutter Virtuosi. \nBalanas is also a pioneering figure in orchestral conducting: the first female symphonic conductor from Latvia\, founder and director of the ANONIMI Orchestra and Charity\, and former assistant conductor to Paavo Järvi at the Tonhalle-Orchester Zürich during the 2023/24 and 2024/25 seasons. She plays the 1849 Charles-Adolphe Gand “Auguste Tolbecque” cello\, loaned by The Little Butterfly Foundation\, the same instrument linked to the 1873 premiere of Saint-Saëns’s Cello Concerto No. 1. \nBorn in Dobele\, Latvia\, and with no family tradition in classical music\, she began by singing rock and roll with her family and playing in the street with her siblings to help pay for instruments and travel. At age 15 she won a full scholarship to study at the Purcell School and later studied cello and conducting at London’s Royal Academy of Music\, where she received the Bicentenary Scholarship. Artistically guided by Lynn Harrell and selected for Gautier Capuçon’s Classe d’Excellence de Violoncelle\, she has traced an extraordinary path from the streets of Latvia to the world’s great halls.
URL:https://addaalicante.es/en/concierto/canto-de-luz/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270113T200000
DTEND;TZID=Europe/Madrid:20270113T210000
DTSTAMP:20260528T081611Z
CREATED:20260528T060018Z
LAST-MODIFIED:20260528T081611Z
UID:10002381-1799870400-1799874000@addaalicante.es
SUMMARY:Júpiter
DESCRIPTION:MUSIKKOLLEGIUM WINTERTHUR \nPABLO FERRÁNDEZ\, cello\nROBERTO GONZÁLEZ MONJAS\, director \nDubugnon\, “Caprice à l’espagnole” – *Estreno\nElgar\, Concierto para violonchelo\nMozart\, Sinfonía núm.41 “Júpiter” \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nMUSIKKOLLEGIUM WINTERTHUR \nThe Musikkollegium Winterthur was founded in 1629 and is therefore one of Europe’s richest musical traditions. Winterthur stands out on the European cultural scene not only for its art collections\, but also for its orchestra\, the Musikkollegium Winterthur\, which has been led by its chief conductor Roberto González-Monjas since the 2021/22 season. \nThe history of the Musikkollegium Winterthur has left its mark: the commitment of the bourgeois families of the 17th century continues today through the association’s numerous members. Especially decisive was the beginning of the 20th century. Patron Werner Reinhart and conductor Hermann Scherchen turned Winterthur into a centre of European musical life. Igor Stravinsky\, Richard Strauss and Anton Webern passed through here\, as did Clara Haskil and Wilhelm Furtwängler. \nThis is a demanding legacy: no other classical symphony orchestra in Switzerland devotes itself as naturally to contemporary musical creation as the Musikkollegium Winterthur. To this are added numerous world premieres\, recently by Richard Dubugnon\, Helena Winkelman\, David Philip Hefti\, Matthias Pintscher\, Andrea Tarrodi and Arash Safaian. Other axes of the repertoire lie in Classicism and early Romanticism. But the agile and versatile orchestra also sheds new light on the great symphony\, for example Brahms\, to whom it devotes a recent recording. It also participates regularly in opera and ballet productions. \nWith more than 40 concerts per season\, a wide range of music outreach offerings and cross-disciplinary formats\, the orchestra maintains a prominent presence. Many artists have contributed to the ensemble’s high quality: chief conductors such as Franz Welser-Möst\, Heinrich Schiff or Thomas Zehetmair; long-standing guest conductors such as Heinz Holliger\, Reinhard Goebel and Michael Sanderling; as well as internationally prestigious soloists among whom Andreas Ottensamer\, Barbara Hannigan\, Sir András Schiff\, Ian Bostridge and Carolin Widmann should be singled out\, all regular guests in Winterthur. \n\nPABLO FERRÁNDEZ. Cello \nWinner of the XV International Tchaikovsky Competition and an exclusive SONY Classical artist\, Pablo Ferrández is one of the most sought-after instrumentalists of his generation. His debut album Reflections (2021) was acclaimed by critics and received the Opus Klassik Award. \nIn 2022 he released his second album\, with Brahms’s Double Concerto alongside Anne-Sophie Mutter\, the Czech Philharmonic and Manfred Honeck\, in addition to Clara Schumann’s Piano Trio with Mutter and Lambert Orkis. Moonlight Variations (May 2025)\, which includes Tchaikovsky’s Rococo Variations\, is his latest release with SONY Classical\, together with the Swedish Chamber Orchestra\, Martin Fröst and Julien Quentin\, with excellent reviews and great success on streaming platforms. \nIn recent seasons he has appeared with orchestras such as the Boston\, San Francisco and Pittsburgh symphonies\, the Cleveland Orchestra\, the Los Angeles Philharmonic; La Scala Philharmonic; Santa Cecilia; the RAI; Tonhalle Zurich; Suisse Romande; Bavarian Radio Symphony; Bamberger Symphoniker; Münchner Philharmoniker; HR Frankfurt; Konzerthaus Berlin; NDR Elbphilharmonie and Radiophilharmonie; Rotterdam; Royal Philharmonic; National of Belgium; National of France; Oslo; Macao; Taipei and Seoul. He has also toured with the London Philharmonic\, Academy of St Martin in the Fields\, Royal Liverpool Philharmonic\, WDR\, Antwerp and the Czech Philharmonic. \nHe is a regular guest at festivals such as Verbier\, Salzburg\, Dresden\, Rheingau\, Sion\, Aix-en-Provence\, Tsinandali\, Tongyeong\, Abu Dhabi and Dvořák Prague. The 25/26 season included debuts with the National Symphony Orchestra\, the symphonies of Toronto\, Utah\, Radio Finland\, SWR\, NCPA and the Tsinandali Festival Orchestra\, and returns to Boston\, Pittsburgh\, Vienna\, Antwerp\, Festival Strings Lucerne\, Barcelona\, Tenerife\, Gran Canaria\, the Valencian Community and the RAI. He was artist in residence in Monte-Carlo and Castile and León. The season also included a trio tour with Anne-Sophie Mutter and Yefim Bronfman and European tours with the EU Youth Orchestra and the National Orchestra of Spain. \nHe plays the “Archinto” Stradivarius (1689)\, loaned for life by a member of the Stretton Society. \n\nROBERTO GONZÁLEZ-MONJAS. Conductor \nHighly sought after both as a conductor and as a violinist\, Roberto González-Monjas has rapidly consolidated his place on the international scene. Recognised as a natural musical leader\, he stands out for his solid artistic vision\, charisma\, inexhaustible energy and keen musical intelligence. He is chief conductor of the Musikkollegium Winterthur (since August 2021)\, music director of the Galicia Symphony Orchestra (since August 2023)\, chief conductor of the Mozarteum Orchester Salzburg (since September 2024) and artistic director of Iberacademy in Colombia. In addition\, he was principal guest conductor of the National Orchestra of Belgium between 2022 and 2025\, and was appointed honorary conductor of Sweden’s Dalasinfoniettan after serving as its chief and artistic director between 2019 and 2023. \nHighlights of the 2025/26 season include new productions of Mozart’s The Magic Flute at the Salzburg Mozartwoche and Così fan tutte at Zurich Opera\, as well as the world premiere of Edmund Finnis’s Cello Concerto with Sheku Kanneh-Mason and the Los Angeles Philharmonic Orchestra. The season also includes a UK tour with the Galicia Symphony Orchestra\, an Asian tour with the Mozarteum Orchester and guest conducting debuts with the National Orchestra of Spain and the Bamberger Symphoniker. In the 2025/26 season he debuted with Hong Kong\, the Los Angeles Philharmonic\, the Orchestre de Paris and the Netherlands Chamber Orchestra. He collaborates again with the Oslo Philharmonic\, Orchestre National du Capitole de Toulouse\, Swedish Radio Symphony\, Netherlands Philharmonic and makes his debut with the Sinfonica de São Paulo. \nHe regularly collaborates with distinguished soloists such as Joyce DiDonato\, Ian Bostridge\, Yuja Wang\, Hilary Hahn Andreas Ottensamer\, Lisa Batiashvili\, Fazıl Say\, Reinhard Goebel\, Thomas Quasthoff\, András Schiff\, Jan Lisiecki\, Yeol Eum Son\, and Kit Armstrong. Together with conductor Alejandro Posada\, he founded Iberacademy in Colombia\, a project dedicated to developing a sustainable model of music education in Latin America\, with special attention to young talents and vulnerable communities.
URL:https://addaalicante.es/en/concierto/jupiter/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/13ene_T9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270121T200000
DTEND;TZID=Europe/Madrid:20270121T210000
DTSTAMP:20260528T081526Z
CREATED:20260528T060053Z
LAST-MODIFIED:20260528T081526Z
UID:10002384-1800561600-1800565200@addaalicante.es
SUMMARY:Night at the movies
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nKRISTINE BALANAS\, violin\nJOSEP VICENT\, principal director \nFazil Say\, World Premiere*\nKorngold\, Violin Concerto\nStrauss\, Así habló Zaratustra \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nKRISTĪNE BALANAS. Violin \n“To describe Kristīne Balanas one must search deep in the chest of adjectives. Street musician\, rock singer and violinist of impressive technical mastery: her playing is dramatic\, passionate\, at times unbridled\, but always controlled. An artist before whom one must bow.” (Tiroler Tageszeitung\, 25 January 2026\, Wolfgang Otter) \nMuch in demand for her “wild\, bold and dramatic playing” (The Strad)\, Kristīne’s astonishing transformation—from being a street musician and rock singer in Latvia to becoming an internationally acclaimed classical music soloist—is without precedent. \nAlthough she came from a family with no musical background\, Kristīne\, like her siblings Margarita and Roberts\, devoted her entire life to music and made her way as a professional soloist of international renown. The contrast between the freedom to create and perform in unconventional settings and the disciplined atmosphere of Europe’s leading music academies profoundly shaped her artistic identity. Kristīne graduated with honours from the Royal Academy of Music\, where she studied with György Pauk\, and continued her training at the Hochschule für Musik Hanns Eisler with Kolja Blacher. \nKristīne Balanas collaborates with international orchestras\, including the BBC Concert Orchestra\, the Royal Philharmonic Orchestra\, the WDR Symphony Orchestra\, the Chamber Orchestra of Paris (directing from the violin)\, the Barcelona Symphony Orchestra\, the Latvian National Orchestra\, the George Enescu Philharmonic and the National Symphony Orchestra of Taiwan\, among others. She performs with conductors such as Jukka-Pekka Saraste\, James Gaffigan\, Tarmo Peltokoski\, Trevor Pinnock\, Gergely Madaras\, Andris Poga\, Margarita Balanas\, Ainars Rubikis and Josep Vicent. \nKristīne has appeared at festivals and concert halls such as L’Auditori in Barcelona\, the Royal Albert Hall\, the Dresdner Musikfestspiele\, the Moritzburg Festival\, the Festival Radio France Occitaine de Montpellier\, Fjord Classics\, the Philharmonie Merck\, the Risør Chamber Music Festival and the Montserrat International Chamber Music Week. \nKristīne Balanas has won numerous awards\, including Young Artist of the Year 2018 at the Grand Music Awards in her home country\, the Fundación Excelentia Young Talent Award presented by Her Majesty Queen Sofía of Spain and third prize at the 66th ARD International Music Competition. \nKristīne plays a 1787 Antonio Gragnani violin\, kindly loaned to her by “The Little Butterfly Foundation”.
URL:https://addaalicante.es/en/concierto/night-at-the-movies/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/21ene_T10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270126T200000
DTEND;TZID=Europe/Madrid:20270126T210000
DTSTAMP:20260528T081440Z
CREATED:20260528T060021Z
LAST-MODIFIED:20260528T081440Z
UID:10002387-1800993600-1800997200@addaalicante.es
SUMMARY:Elektra
DESCRIPTION:DEUTSCHE RADIO PHILHARMONIE\nELISABETH TEIGE\, soprano\nJOSEP PONS\, director \nStrauss\, Muerte y transfiguración\nWagner\, Preludio y muerte de Tristán e Isolda\nStrauss\, Suite orquestal “Elektra” \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nDEUTSCHE RADIO PHILHARMONIE \nThe Deutsche Radio Philharmonie (DRP) is one of Germany’s leading radio symphony orchestras. Jointly funded by Saarländischer Rundfunk and Südwestrundfunk\, it is based in Saarbrücken and Kaiserslautern. \nIts repertoire focuses on the Classical and Romantic repertoire\, as well as repertoire curiosities\, early works\, contemporary music\, jazz\, and film music. \nThe DRP’s Principal Conductor and Artistic Director is Josep Pons. Under the title “Visions of Europe\,” Pons has developed a multi-year artistic program that explores European identity from various perspectives. \nSince 2025\, Michael Schønwandt has held the position of Principal Guest Conductor. This season\, under his baton\, the DRP explores the Nordic soundscape. Following collaborations with Jörg Widmann and Brett Dean\, the orchestra is now working with George Benjamin. \nOne of the season’s highlights is the concert version of his opera Written on Skin\, conducted by Benjamin himself. \nGuest performances in both broadcasting regions\, as well as in Germany and abroad\, including a concert tour in Spain with Josep Pons and appearances at prestigious festivals\, round out the artistic program. \nWith concerts aimed at new audiences\, families\, and schools\, the DRP reaches a very broad audience. \nOther highlights include the “Moments musicaux” in art galleries\, as well as concerts in pubs and with chamber music ensembles. This season also sees the addition of concerts specifically designed for people with dementia. \nThe DRP is also distinguished by its recordings\, radio broadcasts\, and projects such as recording the film score for the documentary series Travellers of the Oceans. \nPromoting young talent is an essential part of the orchestra’s work: the Skrowaczewski Academy\, founded in 2024\, is currently preparing its second graduating class for careers in top-level orchestras. \nComposition and conducting workshops\, as well as an annual singing competition\, provide further platforms for exceptional talent and new works. \nThe DRP was formed in 2007 through the merger of the Saarbrücken Radio Symphony Orchestra and the SWR Kaiserslautern Radio Orchestra. \nSince 2025\, Josep Pons has been its Principal Conductor and Artistic Director. \n\nELISABETH TEIGE. Soprano \nElisabeth Teige has established herself as one of the most compelling young dramatic sopranos of her generation\, admired for her warm timbre\, musical sensitivity and powerful stage presence.\nAn emblematic role in her repertoire is Senta in Wagner’s The Flying Dutchman\, which she first sang at the Norwegian National Opera and Ballet in Oslo. Since then she has performed this role at major theatres such as Frankfurt Opera\, Bergen National Opera\, Deutsche Oper Berlin\, the National Theatre in Prague and the Bayreuth Festival\, where she took part in Dmitri Tcherniakov’s production under Oksana Lyniv in 2022. In Bayreuth she also sang Gutrune (Götterdämmerung) and Freia (Das Rheingold)\, returning in later seasons as Sieglinde (Die Walküre)\, Elisabeth (Tannhäuser) and again as Senta. \nIn the 2025/26 season\, Teige made her debut as Isolde in a new production of Tristan und Isolde at the Deutsche Oper Berlin and repeated the role in Leipzig. In addition\, she appears as Sieglinde and Brünnhilde (Siegfried) in Berlin\, performs with top-level orchestras such as the Oslo Philharmonic and TrondheimSolistene\, and sings Chrysothemis in a concert performance of Elektra with the Dresden Philharmonic under Sir Donald Runnicles. \nRecent highlights include her debuts at the Teatro di San Carlo as Chrysothemis and at the Gran Teatre del Liceu as Elsa in Lohengrin. She has also performed Elisabeth and Venus (Tannhäuser) in Berlin\, Leonore (Fidelio) in Wiesbaden\, Tosca in Oslo and Turandot in Dresden. In the symphonic field she has appeared with the Wiener Symphoniker\, the Prague Radio Symphony Orchestra\, the Philharmonique du Luxembourg and at Toulon Opera. \nBorn in Ålesund\, Norway\, she studied singing in Trondheim and at the Oslo National Academy of Opera. \n\nJOSEP PONS. Director \nHe has been Music Director of the Gran Teatre del Liceu since 2012\, and his latest renewal keeps him in the post until 2026. \nHe has conducted around forty titles\, the Ring Cycle\, Tristan und Isolde\, Parsifal and Lohengrin by Wagner\, Richard Strauss’s Elektra\, Berg’s Wozzeck and Debussy’s Pelléas et Mélisande\, as well as Mozart’s Da Ponte trilogy and Handel’s Rodelinda. \nHe is Honorary Conductor of the Spanish National Orchestra and Choir\, where he was principal and artistic director (2003-2012)\, and of the Orquesta Ciudad de Granada (1993-2003). He was founder of the Orquestra de Cambra Teatre Lliure\, of which he was chief conductor from 1985 to 1997\, and of the JONC (Jove Orquestra Nacional de Catalunya)\, of which he is founding Director. \nHe was recently appointed Chief and Artistic Director of the Deutsche Radio Philharmonie from the 2025-26 season. \nHis discography\, with more than 50 CDs and DVDs\, mostly released by Harmonia Mundi France and Deutsche Grammophon\, includes recordings of Falla and French repertoire regarded as benchmark interpretations and which have received numerous prizes\, such as the Charles Cros Academy Prize\, the Cannes Classical Awards and the Grammys. His recording of Noches en los jardines de España with Javier Perianes won a Choc de la Musique; Melancolía with Patricia Petibon received a Gramophone Editor’s Choice; and his collaboration with Tomatito earned him a Latin Grammy. His recording of Berio’s Sinfonia and Mahler/Berio’s 10 Frühe Lieder with the BBC Symphony and Matthias Goerne received the BBC Music Award\, Choc de la Musique\, ECHO Klassik Awards and the Télérama prize. \nHis latest releases with Harmonia Mundi have been the recordings of Granados’s opera Goyescas with the BBC Symphony Orchestra\, and Ravel’s Le Tombeau de Couperin – Alborada del gracioso with the Orchestre de Paris and Javier Perianes. \nHe has been distinguished\, among other honours\, with the National Music Prize awarded by the Ministry of Culture for his outstanding work in 20th-century music. In 2019 he was invested as Doctor Honoris Causa by the Autonomous University of Barcelona (UAB) and received the Gold Medal for Merit in the Fine Arts. \nHe is a Supernumerary Academician of the Royal Catalan Academy of Fine Arts of Saint George.
URL:https://addaalicante.es/en/concierto/elektra/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270205T200000
DTEND;TZID=Europe/Madrid:20270205T210000
DTSTAMP:20260528T081311Z
CREATED:20260528T060043Z
LAST-MODIFIED:20260528T081311Z
UID:10002390-1801857600-1801861200@addaalicante.es
SUMMARY:“Beethoven 100” Naturaleza\, vida y amor III
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nPETER OUNDJIAN\, guest conductor \nDvořák\, Obertura Otelo\nBeethoven\, Sinfonía núm.1\nBeethoven\, Sinfonía núm.2 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nPETER OUNDJIAN. Guest conductor \nPeter Oundjian is a Canadian conductor and former violinist whose career spans more than five decades. Born in Toronto and raised in Surrey\, England\, he studied at the Royal College of Music\, where he received the Tagore Gold Medal in 1975\, and later at Juilliard with Ivan Galamian\, Itzhak Perlman and Dorothy DeLay. In 1980 he won First Prize at the Viña del Mar International Violin Competition and the Pro Musicis Award in New York. A year later he was appointed first violin of the Tokyo String Quartet\, with which he performed all over the world for 14 years and recorded more than 35 discs. \nAfter focal dystonia put an end to his career as a violinist in 1995\, Oundjian devoted himself entirely to conducting\, bringing to the podium the precision\, balance and spontaneity of a great chamber musician. Since then he has conducted major orchestras in Europe and North America\, and was music director of the Toronto Symphony Orchestra between 2004 and 2018—today its Director Emeritus—and of the Royal Scottish National Orchestra between 2012 and 2018. He also held notable artistic posts with the Detroit Symphony Orchestra\, the Caramoor International Music Festival and the Amsterdam Sinfonietta. \nEqually committed to education\, Oundjian has been linked to the Yale School of Music since 1981 and has been Principal Conductor of the Yale Philharmonia since 2016. He is currently music director of the Colorado Music Festival and the Colorado Symphony. Admired for his collaborative spirit\, musical imagination and communicative ability\, Peter Oundjian remains one of the great figures on the international podium.
URL:https://addaalicante.es/en/concierto/beethoven-100-naturaleza-vida-y-amor-iii/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/5feb_T12.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270219T200000
DTEND;TZID=Europe/Madrid:20270219T210000
DTSTAMP:20260528T081202Z
CREATED:20260528T060009Z
LAST-MODIFIED:20260528T081202Z
UID:10002393-1803067200-1803070800@addaalicante.es
SUMMARY:Aurora Boreal
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nMARTÍN GARCÍA GARCÍA\, piano\nJOSEP VICENT\, director titular \nChopin\, Concierto para piano núm.1\nSibelius\, Sinfonía núm.2 \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nMARTÍN GARCÍA GARCÍA. Piano \nMartín García García (Gijón\, 1996) is considered one of the pianists with the greatest international projection. Martín’s career has been marked by significant achievements\, including his victory in the ‘Cleveland International Piano Competition 2021’ and his third place in the ‘International Chopin Piano Competition 2021’\, where he also received the special prize from the Warsaw National Philharmonic Orchestra for best concerto performance. \nA graduate of the Reina Sofía School of Music\, where he studied with Galina Eguiazarova\, Martín was honoured by Her Majesty Queen Doña Sofía with the recognition of being the Outstanding Student of her chair. His first piano studies in Gijón began at the age of 5 with teachers Natalia Mazoun and Ilyà Goldfarb. \nMartín’s recent collaborations have seen him perform with top-level orchestras\, including the Symphoniker Hamburg\, the Warsaw Philharmonic\, the National Orchestra of Spain\, the Tokyo Philharmonic Orchestra and the Seoul Philharmonic Orchestra\, under the direction of distinguished conductors such as Mikhail Pletnev\, Vasily Petrenko and Andrey Boreyko. \nThe 2025/2026 season is especially notable. Martín embarks on his eighth tour of Japan\, where his concerts attract a total of 25\,000 attendees\, demonstrating his enormous popularity in the region. In addition to European stages\, he will be seen performing in Korea\, Taiwan\, Malaysia and Australia\, as well as his eagerly awaited return to Mexican soil. \nMartín will release a new album in 2025\, “Silent Music”\, continuing the success of his previous recordings\, “Chopin and His Master” and “Even-Tide.”
URL:https://addaalicante.es/en/concierto/aurora-boreal/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/19feb_T13.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270226T200000
DTEND;TZID=Europe/Madrid:20270226T210000
DTSTAMP:20260528T081104Z
CREATED:20260528T060022Z
LAST-MODIFIED:20260528T081104Z
UID:10002396-1803672000-1803675600@addaalicante.es
SUMMARY:Hollywood
DESCRIPTION:WDR FUNKHAUSORCHESTER \nELIONOR MARTÍNEZ\, soprano\nWAYNE MARSHALL\, piano/conductor \nBernstein\, Overture To “Wonderful Town”\nGershwin\, Gershwin in Hollywood\nGershwin\, Concierto para piano en Fa\nmovimiento: Allegro agitato\nBernstein\, Overture to “Candide”\nBernstein/Gershwin\, Canciones\n“Summertime\, I feel pretty\, the man I love\, By Strauss”\nBernstein\, Suite from “Candide” \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nWDR FUNKHAUSORCHESTER \nWith a unique joy of playing and at the highest level\, the WDR Funkhausorchester offers entertaining music in every facet. Its versatility is the programme\, whether film music\, musicals\, game sounds or concerts for children\, whether symphonic jazz\, comedy\, chanson or electro\, whether tango\, operetta\, opera or favourite classical pieces: the WDR Funkhaus Orchestra creates inspiring musical moments. \nThe ensemble constantly opens up new perspectives on the world of orchestral music. Its concerts tell stories and convince with creative and lively concepts; no two evenings are the same. With passion and passion\, the WDR Funkhausorchester reaches all age groups and brings enthusiasm to concert halls and to its digital fan base. \nThe WDR Funkhausorchester collaborates regularly with international artists: Till Brönner\, Jonas Kaufmann\, Max Mutzke\, Ute Lemper\, Bastian Pastewka\, Eckart von Hirschhausen\, Carolin Kebekus and Bodo Wartke. In this way\, the ensemble creates connections with very different genres such as film\, literature\, the fine arts\, cabaret and the world of computer games. Since this season\, the orchestra has been directed by David Brophy\, who will continue developing the WDR\nFunkhausorchester in its quality and versatility as chief conductor. \nIn addition to regular performances in Cologne and North Rhine-Westphalia\, the WDR Funkhausorchester also appears outdoors in well-known concert venues such as the Elbphilharmonie Hamburg\, the Alte Oper Frankfurt\, the Concertgebouw in Amsterdam\, at festivals such as the Rheingau Music Festival and on tour. With its concert broadcasts on radio\, television and streaming\, creative music videos and radio play and soundtrack productions\, the WDR Funkhausorchester reaches a broad and colourful audience across a variety of channels. \n\nELIONOR MARTÍNEZ. Soprano \nBorn in 1996 in Barcelona\, Elionor Martinez pursues her higher studies at the Conservatori del Liceu with Professor Dolors Aldea\, on a scholarship from the Fundació Ferrer-Salat. She graduates from the Master’s in Musical Performance (summa cum laude) at the Hochschule für Musik in Basel with Professor Marcel Boone\, under the patronage of the Fundació Salvat\, and receives the award for best final Master’s recital of the 2021/22 academic year. She is awarded the Salvat Beca Bach (2016) and four special prizes in the Josep Palet Singing Competition in Martorell (Barcelona\, 2019). \nHer repertoire includes works such as Handel’s Messiah\, Bach’s Passions and Magnificat\, Mozart’s Requiem and Great Mass in C minor\, Fauré’s Requiem and Brahms’s German Requiem. In opera she has performed Clorinda in Rossini’s La Cenerentola and Fiordiligi in Mozart’s Così fan tutte. She forms a Lied duo with pianist Olivia Zaugg; together they have given several concerts in Switzerland and Spain and are part of the Associació Franz Schubert’s Lied the Future programme. \nShe sings regularly under Jordi Savall and has worked with conductors such as Ton Koopman\, Andrés Gabetta\, Hermes Helfricht and Salvador Brotons. She has appeared in halls such as Hamburg’s Elbphilharmonie\, London’s Wigmore Hall\, the Philharmonie de Paris and the Palau de la Música Catalana\, as well as at festivals such as Bachfest Leipzig and the Salzburg Festival. \n\nWAYNE MARSHALL. Piano / Conductor \nWayne Marshall\, British conductor\, organist and pianist\, is world-renowned for his musicality and versatility both on the podium and at the keyboard. \nHe is a celebrated interpreter of the music of George Gershwin\, Leonard Bernstein and other 20th-century American composers. He has worked regularly with the Tonkünstler Orchestra Vienna\, the Czech\, Rotterdam\, Oslo and Strasbourg Philharmonic Orchestras\, the RSO Vienna\, the Orchestre de Paris\, the NDR BigBand; with the BBC chorus on several occasions; and has appeared as soloist\, conductor and television commentator at the BBC Proms. \nAs an organ recitalist\, he has an exceptionally varied repertoire and performs throughout the world. \nDuring 2024\, he has appeared at the Walt Disney Concert Hall in Los Angeles\, at the Philharmonie Essen\, at Brussels Cathedral and at London’s Royal Albert Hall on the occasion of the celebrations of organist Henry Willis’s 150th anniversary. In June 2025\, he will give organ recitals at the Royal Festival Hall and Norwich Cathedral. In October 2025\, Wayne Marshall will give an organ recital in Dudelange\, followed by an extensive tour of organ recitals in China. He will also perform and conduct at the Lucerne Festival to celebrate the 25th anniversary of the KKL hall organ. \nAmong his distinctions are an Honorary Doctorate from Bournemouth University (2004)\, a Fellowship of the Royal College of Music (2010)\, and the Golden Jubilee Award of the Government of Barbados (2016). In 2021\, Wayne was awarded an OBE (Officer of the British Empire) by Her Majesty Queen Elizabeth. \nIn March 2024\, Wayne was named Doctor Honoris Causa by Coventry University. Wayne Marshall is proud to be an ambassador for the London Music Fund\, a charitable organisation whose mission is to transfer to disadvantaged communities children’s access to high-quality music education.
URL:https://addaalicante.es/en/concierto/hollywood/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/26feb_T14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270318T200000
DTEND;TZID=Europe/Madrid:20270318T210000
DTSTAMP:20260528T081024Z
CREATED:20260528T060010Z
LAST-MODIFIED:20260528T081024Z
UID:10002399-1805400000-1805403600@addaalicante.es
SUMMARY:Gaélica
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nROSA TORRES PARDO\, piano\nVIRGINIA MARTÍNEZ\, guest director \nFalla\, Homenajes\nClara Schumann\, Concierto para piano\nAmy Beach\, Sinfonía Gaélica \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nROSA TORRES-PARDO. Piano \nWinner of the 2017 National Music Prize\, Rosa Torres-Pardo is one of the most distinguished Spanish pianists of her generation. She was awarded the Extraordinary End-of-Degree Prize at the Royal Conservatory of Music of Madrid\, and completed her training with Maria Curcio in London\, Adele Marcus at The Juilliard School in New York and Hans Graff in Vienna. Throughout her career she has received various honours\, such as the Masterplayers International Piano Competition in Lugano and the Isaac Albéniz Medal for the interpretation and dissemination of Iberia\, a distinction she shared with Alicia de Larrocha. \nShe made her debut at Madrid’s Teatro Real in 1987 with the Philharmonia Hungarica conducted by Jean-Bernard Pommier\, performing Prokofiev’s Third Concerto. Since then she has appeared on major international stages with orchestras such as the Los Angeles Philharmonic at the Hollywood Bowl\, the Royal Philharmonic Orchestra in London\, the Orchestre Symphonique de Montréal\, the Philharmonisches Staatsorchester Hamburg\, the St. Petersburg Philharmonic and the Rundfunk-Sinfonieorchester Berlin. She has worked with conductors such as Charles Dutoit\, Vladimir Spivakov\, Tamás Vásáry\, José Serebrier and Yuri Temirkanov\, appearing in halls such as Carnegie Hall and Alice Tully Hall in New York\, the Kennedy Center in Washington\, Wigmore Hall in London\, the Konzerthaus in Berlin\, the Teatro Colón in Buenos Aires and the Hall of Columns in Moscow. She has toured Europe\, America\, Asia and Australia. \nHer discography includes recordings for labels such as Decca\, Deutsche Grammophon\, Naxos and Glossa\, with titles such as Granados’s Goyescas\, Albéniz’s Iberia\, Tres Ballets Rusos (Prokofiev\, Falla\, Stravinsky)\, Montsalvatge’s Concierto Breve or “The Caterpillar” Albéniz songs. More recent are “Tangos\, habaneras y otras milongas”\, Ricardo Llorca’s “Las horas vacías” with the Manhattan Chamber Orchestra\, the Six Quintets by A.Soler and “Flamencos” with Rocío Márquez. She develops interdisciplinary projects of music\, film\, theatre and poetry\, collaborating with Luis García Montero\, Jose Carlos Plaza\, Jose Luis Gómez\, Ana Belén and Mario Gas. She proposes and stars in the musical films “Iberia”\, by Carlos Saura\, “Una rosa para Soler” and “El amor y la muerte” on E. Granados. In 2024 she undertakes a tour of the United States with “The Runaways” about Spanish composers in New York. Her next project\, “Los diarios de Manhattan”\, will be a staged concert written by Ricardo Llorca with music by American composers such as Philipp Glass\, Chick Corea\, John Adams and Llorca himself. \nAlso distinguished among the Top 100 Women Leaders in Spain\, she is artist in residence at the New York Opera Society. \n\nVIRGINIA MARTÍNEZ. Guest director \nBorn in Molina de Segura\, she received a scholarship from the Fundación Séneca to study Orchestral Conducting at the Conservatory of the City of Vienna with Reinhard Schwarz and Georg Mark. She completed her studies in June 2003 conducting the Vienna Radio Symphony Orchestra and obtained the highest grade with special distinction. \nShe has successfully conducted leading international and national ensembles\, including the Calgary Philharmonic Orchestra\, the Vienna Radio Orchestra\, the Wiener Kammerorchester\, the National Orchestras of Mexico\, the orchestras of the Singapore\, Brasília and Montpellier festivals\, the Arthur Rubinstein Philharmonic Orchestra of Poland\, the Vienna Conservatory Symphony Orchestra\, the Biel Symphony Orchestra\, the Graz Symphony Orchestra\, the National Orchestra of Spain\, the Barcelona Symphony and National Orchestra of Catalonia\, Oviedo Filarmonía\, the Symphony Orchestra of the Principality of Asturias\, the Castile and León Symphony Orchestra\, the Symphony Orchestra of the Region of Murcia\, the Gran Canaria Philharmonic Orchestra\, the Málaga Philharmonic\, the Bilbao Symphony\, the Vallés Symphony\, the Extremadura Orchestra\, the Córdoba Orchestra\, the City of Granada\, Navarra and Valencia orchestras\, among others. \nIn 2004 she was appointed assistant to Bertrand de Billy at Barcelona’s Gran Teatre del Liceu. In the 2005/06 season she was Assistant Conductor of the OBC and in 2006/07 assistant to the Valencia Orchestra. In December 2009 she toured the United States\, with notable performances at Chicago’s McCormick Place and New York’s Lincoln Center\, and in April 2010 she conducted the Vienna Conservatory Orchestra at the Proms in the Austrian capital. \nShe has worked with stage directors such as José Carlos Plaza\, Emilio Sagi\, Paco Azorín\, Bárbara Lluch and Juan Echanove\, and with soloists such as Javier Perianes\, Boris Belkin\, Joaquín Achúcarro\, Judith Jáuregui\, Fazıl Say\, María Bayo\, Pablo Ferrández\, Gabriela Montero and Clara Andrada. \nIn 2016\, Molina de Segura inaugurated the Virginia Martínez Fernández Auditorium in her honour. In 2019 she received the recognitions “Woman of the Year” and “Murcian Woman of the Year 2018”. She has been artistic and chief conductor of the OSRM and of the Youth Orchestra of the Region of Murcia for 11 and 16 seasons\, respectively. She is currently Honorary Conductor of the OSRM and Professor of Orchestral Conducting at the Higher Conservatory of Music of Murcia.
URL:https://addaalicante.es/en/concierto/gaelica/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270407T200000
DTEND;TZID=Europe/Madrid:20270407T210000
DTSTAMP:20260528T080933Z
CREATED:20260528T060038Z
LAST-MODIFIED:20260528T080933Z
UID:10002402-1807128000-1807131600@addaalicante.es
SUMMARY:Imperial
DESCRIPTION:ORQUESTA FILARMÓNICA NACIONAL DE HUNGRÍA\nDEZSŐ RÁNKI\, piano\nMARTIN RAJNA\, Conductor \nBeethoven\, Concierto para piano núm.5 “Emperador”\nBartók\, Concierto para orquesta \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nHUNGARIAN NATIONAL PHILHARMONIC ORCHESTRA \nThe Hungarian National Philharmonic Orchestra\, one of the country’s leading symphony orchestras\, celebrated its centenary in the spring of 2023. \nAfter the tenures of János Ferencsik and Ken-Ichiro Kobayashi\, a new chapter in its history began in 1997 with the appointment of Zoltán Kocsis as music director. During the next two decades\, the ensemble performed not only the great classics but also works previously absent from its repertoire. With versatility\, it brought recent Hungarian music closer to its audience\, through chamber concerts\, activities for young people and projects that sought to fill historical gaps. In that context\, it performed infrequently heard works by Richard Strauss\, Debussy\, Schoenberg\, Ravel and Rachmaninov. Bartók’s music occupies a prominent place in its repertoire\, with performances recorded in the Bartók New CD Series. Its subscription concerts feature renowned soloists and guest conductors\, as well as young Hungarian musicians. \nThe orchestra has preserved the sensitivity with which its members listen to and work with one another. Each musician can shine individually\, but all share responsibility for the ensemble and the goal of achieving the highest level of quality in every performance\, an ambition that goes beyond technical perfection. \nAfter the death of Zoltán Kocsis\, Zsolt Hamar\, winner of the Liszt Prize and who had already worked with the orchestra as first chief conductor\, assumed the post of music director from March 2017 to August 2020. Since autumn 2022\, coinciding with the 100th anniversary season\, György Vashegyi has held the post of music director. \nIn recent decades\, the orchestra has given more than 350 concerts abroad and toured around 40 countries. It has appeared in venues and festivals such as New York’s Avery Fisher Hall\, Tokyo’s Suntory Hall\, Birmingham Symphony Hall\, Frankfurt’s Alte Oper\, the Enescu Festival in Bucharest\, the Colmar Festival\, the Canary Islands Festival and the Beethoven Festival in Bogotá. In 2011\, on the occasion of the bicentenary of Liszt’s birth\, it performed at Bozar in Brussels and gave a concert at the Vatican in honour of Pope Benedict XVI. The HNPO has toured Colombia\, Turkey\, South Korea\, China and Switzerland\, and regularly visits France\, Japan\, Germany\, Romania\, Spain\, Slovakia and Slovenia. In January 2023 it returned to Japan for another tour under the baton of Ken-Ichiro Kobayashi. \n\nDEZSÖ RÁNKI. Piano \nDezsö Ranki is regarded as one of the finest Hungarian pianists. He is recognised in the classical repertoire (Mozart\, Beethoven)\, the romantic repertoire (Schubert\, Schumann) and the modern (Bartok or Kurtag). \nHe studied at the Franz Liszt Academy with Pal Kadosa. He began his international career after winning the Robert Schumann Competition in Germany in 1969. Since then\, he has given concerts regularly in most European countries\, North and South America\, as well as Japan and South Korea. In addition to recitals\, he has performed with orchestras such as the Berlin Philharmonic\, the London Philharmonic\, the English Chamber Orchestra\, the Concertgebouw in Amsterdam\, the Netherlands Radio Philharmonic Orchestra\, the National Orchestra of France\, the Konzerthausorchester Berlin\, the Bavarian Radio Symphony Orchestra\, the Gewandhausorchester Leipzig\, the Dresden Philharmonic\, the Stuttgart Chamber Orchestra\, the German Radio Philharmonic\, the Orchestre de la Suisse Romande\, the Royal Philharmonic Orchestra of Liège\, the Budapest Festival Orchestra\, the Warsaw Philharmonic\, the Seoul Philharmonic Orchestra and Tokyo’s NHK\, under conductors Frans Brüggen\, Ivan Fischer\, Vladimir Jurowski\, Kirill Kondrashin\, Zubin Mehta\, Lorin Maazel\, Daniele Gatti\, Zoltan Kocsis\, Gennady Roshdestvensky\, Kurt Sanderling\, Sir Georg Solti and Jeffrey Tate.\nDezsö Ranki is invited to the most famous festivals\, such as Ascona\, Lockenhaus\, Prague Spring\, Weimar\, Schwetzinger Festspiele\, Wiener Festwochen\, MDR Musiksommer\, Kissinger Summer\, Festspielhaus Baden-Baden\, Schumannfest Düsseldorf\, Grange de Meslay and Roque d’Anthéron. \nDezsö Ranki’s recordings have been released by Teldec\, Quint Records and Denon. For his interpretation of Chopin’s Études op. 10 he received the «Grand Prix du Disque». Bartók’s Mikrokosmos for Teldec was also highly successful. \nHe regularly performs on two pianos and in four-hand recitals with Edit Klukon. His latest released CDs include works by Satie and Liszt\, and two piano pieces by Barnabás Dukay. His latest project includes the performance of the complete symphonic poems of Franz Liszt\, which they present in several concerts. \nDezsö Ranki has received numerous prizes throughout his career\, including the Liszt\, Kossuth and Bartók-Pásztory awards. \n\nMARTIN RAJNA. Conductor \nMartin Rajna has become one of the most outstanding young Hungarian conductors of recent years. At the age of 29\, and already with an outstanding résumé\, he was appointed at the beginning of this year as the new Music Director of the Luxembourg Philharmonic\, with a four-year contract starting in September 2026. \nIn the current 2024/25 season\, Rajna continues to chalk up several significant European debuts: besides Luxembourg\, he has stepped onto the podium of the London Philharmonic Orchestra\, the Nuremberg Symphony Orchestra and the Orchestra of Teatro La Fenice. In July 2025 he will conduct at the Tyrol Festival in Erl (Austria) a new production of Bartók’s Bluebeard’s Castle and Poulenc’s La Voix humaine\, both directed by Claus Guth. \nAt the Hungarian State Opera in Budapest\, which has engaged him since 2021 and appointed him principal conductor in 2023\, he has recently been on the podium for Der fliegende Holländer\, Macbeth\, Die Fledermaus and Maria Stuarda. He also continues to conduct concerts with the Hungarian National Philharmonic Orchestra and the Győr Philharmonic Orchestra. \nRajna’s previous awards include a scholarship in 2022 to participate in the German Music Council’s Forum Dirgieren programme and he was also selected for the Conducting Fellowship of the Lucerne Festival Academy\, where his mentor was Thomas Adés. In 2018 he won Hungary’s Prima Junior Prize and in 2023 he was the winner of the György Cziffra Festival Talent Award. \nIn previous seasons\, Rajna has conducted the Düsseldorf Symphony Orchestra\, the Hof Symphony Orchestra\, the Brandenburgisches Staatsorchester\, the Philharmonie Südwestfalen\, the Slovenian Radio Philharmonic Orchestra in Ljubljana and Budapest orchestras such as the MÁV\, Danubia and Dohnányi symphony orchestras. \nMartin Rajna graduated from the Franz Liszt Academy of Music in Budapest\, where he studied with Ádám Medveczky and András Ligeti and expanded his training at the Franz Liszt University of Music in Weimar with conductors Nicolás Pasquet and Ekhart Wycik. In 2021 he was selected to participate in the mentoring programme of the Peter Eötvös Foundation for Contemporary Music\, where he worked with masters such as Péter Eötvös\, György Kurtág\, Fabián Panisello and Magnus Lindberg. In 2023 he was assistant conductor to Maestro Ádám Fischer during the annual “Budapest Wagner Days”.
URL:https://addaalicante.es/en/concierto/imperial/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2026/05/7abr_T16.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20270416T200000
DTEND;TZID=Europe/Madrid:20270416T210000
DTSTAMP:20260515T171333Z
CREATED:20260528T080003Z
LAST-MODIFIED:20260515T171333Z
UID:10002405-1807905600-1807909200@addaalicante.es
SUMMARY:Fantástica
DESCRIPTION:ADDA SIMFÒNICA ALICANTE\nJOSEPH ALESSI\, trombone\nJOSEP VICENT\, director titular \nGuinovart\, Concierto para trombón y orquesta\nBerlioz\, Sinfonía Fantástica \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nJOSEPH ALESSI. Trombone \nJoseph Alessi began his musical studies in his native California with his father\, Joseph Alessi. \nDuring his high school years in San Rafael\, California\, he was a soloist with the San Francisco Symphony Orchestra before continuing his musical training at the Curtis Institute of Music in Philadelphia. \nHe was appointed principal trombone of the New York Philharmonic in 1985. \nPrior to joining the Philharmonic\, he was second trombone with the Philadelphia Orchestra for four seasons and principal trombone with the Montreal Symphony Orchestra for one season. \nHe has also been a guest solo trombonist with the London Symphony Orchestra at Carnegie Hall\, conducted by Pierre Boulez. \nHe is an active soloist and chamber musician. \nIn 1990\, he made his solo debut with the New York Philharmonic\, performing Creston’s Trombone Fantasy\, and in 1992\, he premiered the Pulitzer Prize-winning Trombone Concerto with the Philharmonic\, which commissioned the work for its 150th anniversary celebration. \nHis most recent appearance as a soloist with the Philharmonic was in the world premiere of William Bolcom’s Trombone Concerto in 2017. \nWith the New York Philharmonic\, he has performed concertos by Kazimierz Serocki\, Bramwell Tovey\, and William Grant Still. \nIn June 2021\, he gave the world premiere of Chick Corea’s Trombone Concerto. \nHe has recorded and performed on numerous occasions with four leading trombone quartets: the New York Trombone Quartet\, which made the only recording of Bartók’s Fourth String Quartet; The Four of a Kind Trombone Quartet; the World Trombone Quartet; and the Slide Monsters Trombone Quartet. \nHe is currently a member of the faculty at the Juilliard School; his students now hold positions in many of the leading symphony orchestras in the United States and around the world. \nAs an artist/teacher with Eastman-Shires Instrument Co.\, he has given masterclasses worldwide and toured extensively in Europe as a conductor and soloist. \nHe has performed as a soloist with several leading bands\, including the United States Military Academy Band at West Point\, the United States Army Band (Pershing’s Own)\, and the United States Marine Band (President’s Own). \nIn addition\, he has performed with the Maria Schneider Orchestra and the Village Vanguard Orchestra\, and has recorded with jazz greats J.J. Johnson and Steve Turre. \nHis discography includes Trombonastics\, Fandango\, An American Celebration\, and Beyond the End of the Century\, among others. \nGeorge Crumb’s recording of Starchild on the Bridge label\, where he performed as a solo artist\, won a Grammy Award in 1999-2000.
URL:https://addaalicante.es/en/concierto/fantastica/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
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DTSTART;TZID=Europe/Madrid:20270423T200000
DTEND;TZID=Europe/Madrid:20270423T210000
DTSTAMP:20260528T080823Z
CREATED:20260528T060019Z
LAST-MODIFIED:20260528T080823Z
UID:10002408-1808510400-1808514000@addaalicante.es
SUMMARY:Pájaro de fuego
DESCRIPTION:BERNER SYMPHONIEORCHESTER\nSOL GABETTA\, Cello\nKRZYSZTOF URBAŃSKI\, conductor \nMussorgky\, Una noche en el monte pelado (Arr\, Rimsky-Korsakov)\nShostakovich\, Concierto para violonchelo núm. 1\nStravinsky\, Pájaro de fuego (1945) \nSALE OF SINGLE TICKETS: From July 30\, 2026. \n\nBERNER SYMPHONIEORCHESTER \nThe Bern Symphony Orchestra has a tradition of more than 140 years as the orchestra of its Swiss federal city. Made up of around 100 musicians from more than 20 countries\, the orchestra combines experience and cultural diversity. Since 2011 it has been part of the “Konzert Theater Bern”\, and since 2021 it has been integrated into “Bühnen Bern”\, together with the music theatre\, drama and dance sections\, strengthening its central role in the artistic life of the city and the country. \nThroughout its history\, the BSO has worked with conductors of worldwide renown who have shaped its musical development. Among them are historic figures such as Bruno Walter\, Wilhelm Furtwängler\, Karl Böhm and Herbert von Karajan. More recently\, conductors such as Eliahu Inbal\, Sir Neville Marriner\, Eiji Oue\, Jun Märkl and Michael Sanderling have left their mark\, bringing different interpretative visions and expanding the orchestra’s repertoire. In 2010\, Swiss conductor Mario Venzago assumed the post of principal conductor for ten years\, consolidating the ensemble’s artistic level and international projection. \nThe orchestra has collaborated with internationally top-level soloists\, including Patricia Kopatchinskaja\, Emmanuel Pahud\, Frank Peter Zimmermann\, Sol Gabetta\, Fazil Say\, Mischa Maisky and Jean-Yves Thibaudet\, as well as young talents such as Kit Armstrong\, Lise de la Salle and Maximilian Hornung. These collaborations help reinforce the international reputation of the Berner Symphonieorchester\, which receives frequent invitations both in Switzerland and abroad\, having recently performed in countries such as Germany\, England and China\, thereby cementing its reputation as one of Europe’s leading orchestras today. \n\nSOL GABETTA. Cello \nAfter returning to the United States to make her debut with the New York Philharmonic and perform with the Cleveland Orchestra and the Chicago Symphony Orchestra alongside Klaus Mäkelä\, Sol Gabetta will return in 2025 with the New York Philharmonic and Jakub Hrůša at the Festival. \nThe 2025/26 season will focus on her tribute to Lise Cristiani\, a pioneering 19th-century cellist\, with a programme that evokes her concerts and brings together music by Schubert\, Mendelssohn\, Offenbach\, Donizetti and Servais. This project will be presented in Berlin\, Hamburg\, Brussels\, Munich\, Lucerne and Dortmund. In addition\, the season will be marked by three residencies: she will be in residence with the Tonhalle-Orchester Zürich and will hold residencies at the Konzerthaus Dortmund and BOZAR in Brussels\, where she will appear with the Concertgebouw Orchestra of Amsterdam. She will undertake tours with the Tonhalle-Orchester Zürich alongside Paavo Järvi and with the Czech Philharmonic alongside Semyon Bychkov\, as well as returning to the Warsaw Philharmonic with Krzysztof Urbański and to the Gewandhausorchester Leipzig with Mikko Franck. She will also tour Spain with the Bamberg Symphony and Jakub Hrůša\, continue her collaboration with the Philharmonia Orchestra and perform with the Munich Philharmonic conducted by Lahav Shani. A firm advocate of contemporary music\, she will continue performing the cello concerto that Francisco Coll wrote for her\, presented with Radio France and at the BBC Proms. \nA regular guest at festivals\, Sol Gabetta has appeared in Lucerne with the Vienna Philharmonic and Franz Welser-Möst\, the Mahler Chamber Orchestra and François-Xavier Roth\, and the London Philharmonic Orchestra conducted by Marin Alsop. At her Solsberg Festival she develops her chamber music side alongside Isabelle Faust\, Bertrand Chamayou\, Alexander Melnikov and Francesco Piemontesi. Her performances have taken her to Lincoln Center\, Wigmore Hall\, Lucerne\, Verbier\, Salzburg\, Schwetzingen\, the Schubertiade Schwarzenberg and the Beethovenfest Bonn. \nAwarded the European Culture Prize in 2022\, she received the Herbert von Karajan Prize in 2018 and the OPUS Klassik Award as Instrumentalist in 2019. Nominated for a Grammy\, she has been recognised with several ECHO Klassik awards\, the Gramophone Young Artist of the Year award and the Würth-Preis. Her latest recording for Sony Classical brings together late works by Schumann and the cello concertos of Elgar and Martinů. In 2017 she undertook a European tour with Cecilia Bartoli to present Dolce Duello. She plays 18th-century Italian instruments\, including a 1730 Matteo Goffriller provided by Atelier Cels Paris. \n\nKRZYSZTOF URBAŃSKI. Conductor \nKrzysztof Urbański began his second season in September 2025 as music and artistic director of the Warsaw Philharmonic and as chief conductor of the Bern Symphony Orchestra. Since 2022 he has also been principal guest conductor of the Orchestra della Svizzera italiana. \nUrbański is a regular guest conductor of some of the world’s most prestigious orchestras\, including the Bavarian Radio Symphony\, the Berliner Philharmoniker\, the Staatskapelle Dresden\, the Gewandhausorchester Leipzig\, the London Symphony Orchestra\, the Philharmonia Orchestra\, the Tonhalle-Orchester Zürich\, the Orchestre de Paris\, as well as the Chicago Symphony\, New York Philharmonic\, Los Angeles Philharmonic and San Francisco Symphony. \nBetween 2011 and 2021 he was music director of the Indianapolis Symphony and between 2010 and 2017 chief conductor and artistic leader of the Trondheim Symphoniker\, which named him honorary guest conductor in 2017. He also held the posts of principal guest conductor of the Tokyo Symphony (2012–2016) and the NDR Elbphilharmonie Orchester (2015–2021). \nHis discography includes recordings with the NDR Elbphilharmonie Orchester devoted to Lutosławski\, Dvořák\, Stravinsky\, Shostakovich and Richard Strauss for the Alpha Classics label. For Deutsche Grammophon he recorded Chopin’s concertante works with pianist Jan Lisiecki\, an album awarded the ECHO Klassik Prize\, and Martinů’s Cello Concerto No. 1 with Sol Gabetta and the Berliner Philharmoniker for Sony. \nTrained at the Fryderyk Chopin Academy of Music in Warsaw with Antoni Wit\, he was assistant to the Warsaw Philharmonic and winner of First Prize at the Prague Spring Conducting Competition. Since the 24/25 season he has combined his posts in Bern and Warsaw\, consolidating himself as one of the most distinguished batons of his generation.
URL:https://addaalicante.es/en/concierto/pajaro-de-fuego/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 26/27
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