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DTSTART;TZID=Europe/Madrid:20260301T100000
DTEND;TZID=Europe/Madrid:20260301T110000
DTSTAMP:20260223T104615Z
CREATED:20260219T102815Z
LAST-MODIFIED:20260223T104615Z
UID:10002263-1772359200-1772362800@addaalicante.es
SUMMARY:XIII CICLO LAS BANDAS DE LA PROVINCIA EN EL ADDA. SOCIEDAD FILARMÓNICA UNIÓN MUSICAL DE AGOST
DESCRIPTION:“HERENCIAS COMPARTIDAS” \n\n\n\nPrograma: \n\nIván ROMERO FUENTES \nART I CULTURA – pasodoble 6’ \nJulián SANTOS CARRIÓN / arr. Roque BAÑOS LÓPEZ \nIRIS – poema sinfónico 8’ \nJosé Luis MOLINA \nSONS DE FANG I FOC – poema sinfónico 14’ \nFerrán CAMPOS-VALDÉS \nMILOTXES – divertimento para banda 8’ \nLuis SERRANO ALARCÓN \nSECOND SYMPHONY FOR WIND ORCHESTRA – sinfonía 21’ \nI. Maestoso-Lento -Allegro ma non troppo \nIII. Lento-Moderato-Lento \nIV. Presto \n\n\n\n\n\nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: taquilla.adda@diputacionalicante.es\n\n\n\n· Aforo limitado\, máx. 4 entradas/persona. Las entradas se confirmarán y entregarán desde la semana antes del concierto.\n\n\n· Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/xiii-ciclo-las-bandas-de-la-provincia-en-el-adda-sociedad-filarmonica-union-musical-de-agost/
LOCATION:Sala Sinfonica
CATEGORIES:NUESTRAS BANDAS Y ORQUESTAS
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/12/BANDAS-ORQ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260301T130000
DTEND;TZID=Europe/Madrid:20260301T140000
DTSTAMP:20260220T071530Z
CREATED:20260219T103230Z
LAST-MODIFIED:20260220T071530Z
UID:10002266-1772370000-1772373600@addaalicante.es
SUMMARY:XIII CICLO LAS BANDAS DE LA PROVINCIA EN EL ADDA. SOCIETAT MUSICAL CULTURAL D'ALCOLEJA
DESCRIPTION:75 AÑOS DE BANDA \n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\nPrograma: \nJUAN TORREGROSA i SEVILA. EMILIA MARTÍN – pasodoble – approx. 5’Emilia Martín was the sister of the founder of the Alcoleja Band\, the village priest\, Mr. Miguel Ángel Martín i Penalba. Juan Torregrosa and he maintained a very close friendship\, which led the composer to dedicate a pasodoble to his sister. This pasodoble has been part of the society’s musical journey\, as it has been performed in numerous concerts both within and outside the municipality of Alcoleja. \nMIGUEL PICÓ i BIOSCA. ALCOLECHA – pasodoble – approx. 5’Miguel Picó i Biosca was the band’s second conductor. Out of the affection he felt for the village and its people\, he dedicated a pasodoble to it: ALCOLECHA. This pasodoble has become an emblem of the association\, especially when performed in parades\, such as the FSMCV’s 50th anniversary parade along Micer Mascó Street in Valencia on 26 May 2018\, among others. \nManuel Penella Moreno (Valencia 1881 – Mexico 1939). VALENCIAN RHAPSODY – 5’30’’Work composed in 1918. \nFRANCISCO CARCHANO i MOLTÓ. RAMÓN PETIT – Christian march – 3’30’’Francisco Carchano\, with strong ties to the village of Alcoleja\, was a co-founder of the Societat Musical Cultural d’Alcoleja in the 1990s\, after some years of decline. Carchano trained the village’s youngest members in solfège and instruments. As the band’s third conductor\, together with Ramón Petit\, he wrote a Christian march dedicated to the Christian Captain of the Comparsa Almogàvars of Ibi in 1993\, Mr. Ramón Vilaplana. It became a benchmark of festive music in the region\, and today this piece is a true anthem of the Moors and Christians festivities. \nLeopold Magenti Chelvi (Alberic 1894 – Valencia 1969). MEDITERRANEAN IMPRESSIONS – 25’10’’Work from 1956. \nTOMÁS OLCINA i RIBES. PRESIDENT LLINARES – pasodoble – approx. 5’José Antonio Llinares i Igual took over from Francisco Carchano in 2007. His father\, Antonio Llinares i Llinares—who was President of the Societat Musical Nova d’Alcoi and musical advisor to the Associació Sant Jordi—was also a member of the Alcoleja Band\, and held great affection and admiration for the musical society we form. Tomás Olcina i Ribes\, a native of Gorga\, dedicated this pasodoble to him as a result of their friendship. \nJosé Calixto Serrano Simeón (Sueca 1873 – Madrid 1941). THE CARNIVAL PRINCE – 12’15’’Work from 1914. \nDANI IBORRA PELLÍN. 75 YEARS OF THE BAND* – pasodoble – approx. 6’A wind band is much more than the instruments that make it up\, because above all are the people who bring them to life. “75 Years of the Band” is a tribute to each of the musicians who\, after their daily routine\, picked up their instrument and went up to the Patronat to rehearse\, note by note\, the works later enjoyed by the people of Alcoleja. \nThis pasodoble is dedicated to all those musicians\, but also to the teachers who taught them and to everyone who has ever applauded them—sharing the joy of the celebration\, fellowship\, and the sense of belonging to the village that unites us: Alcoleja. \nThrough “75 Years of the Band” we will travel across a soundscape that begins with the notes of the Hymn to Saint Vincent Ferrer\, composed by the priest and teacher of Alcoleja in the 1930s\, José Maria Zaragoza i Barber\, “el Retoret Vellet”\, as our grandparents called him. The introduction continues with variations on the Cant de l’Aurora\, which will appear adapted to the cheerful\, festive character of the pasodoble. \nOn our journey through Alcoleja’s music\, it was essential to visit popular songs; that is why the piece evokes our voices in the square\, singing out loud: “And I say this here\, in Penàguila and in Benasau\,” which is the Alcoleja adaptation of Antonio Molina’s “Como en España ni hablar.” \nThe final stop on our route takes us to the Gozos to Saint Vincent Ferrer\, possibly the most beautiful piece in Alcoleja’s musical repertoire\, on which the last section of the pasodoble is based—what musicians call “the trio.” Even so\, the harmony is used only symbolically\, while the notes of l’Aurora become far more recognizable again\, now heard in the countermelody. \nDuring our journey we have passed through the Square\, the church\, the Patronat\, and the streets of Alcoleja. At the end\, we can only wish that every note of this pasodoble conveys joy\, celebration\, and fellowship to all the people of Alcoleja—and above all\, our deepest gratitude to the musicians who were part of our Band in the past\, who are part of it today\, and who will be part of it in the future: our beloved Societat Musical Cultural d’Alcoleja. \n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\n Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: taquilla.adda@diputacionalicante.es\n\n\n\n· Aforo limitado\, máx. 4 entradas/persona. Las entradas se confirmarán y entregarán desde la semana antes del concierto.\n\n\n· Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/xiii-ciclo-las-bandas-de-la-provincia-en-el-adda-societat-musical-cultural-dalcoleja/
LOCATION:Sala Sinfonica
CATEGORIES:NUESTRAS BANDAS Y ORQUESTAS
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/12/BANDAS-ORQ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260302T190000
DTEND;TZID=Europe/Madrid:20260302T200000
DTSTAMP:20260220T084408Z
CREATED:20251016T071646Z
LAST-MODIFIED:20260220T084408Z
UID:10002066-1772478000-1772481600@addaalicante.es
SUMMARY:Conservatorio Profesional de Música de Alicante "Guitarrista José Tomás". Departamento de Cuerda
DESCRIPTION:Programa: \nB. Andrés (1967– ) ·Pistache · 4’30’’ \nRaquel López González\, arpa · 3ºEP \nV. Monti (1868–1922) · Czardas · 4’30’’ \nAmelie Resel Prieto\, viola · 1ºEP \nA. Barrios (1882–1964) · Arroyos de la Alhambra · 5’ \nJorge Pérez Revert\, guitarra · 5ºEP \nC. Saint-Saëns (1835–1921) · Concierto para violonchelo y orquesta n.º 1 en la menor\, op. 33 · 5’30’’ \nAlicia Amo Carbonell\, violonchelo · 6ºEP \nJ. N. Hummel (1778–1837) · Fantasía para viola y orquesta · 7’30’’ \nEva Valera Granja\, viola · 4ºEP \nM. Bruch (1838–1920) · Concierto para violín y orquesta n.º 1 en sol menor\, op. 26 · 8’ \nAdagio \nLiliana Mishakova\, violín · 5ºEP \nC. Saint-Saëns (1835–1921) · Concierto para violín y orquesta n.º 3 en si menor\, op. 61 · 8’30’’ \nAndantino quasi allegretto \nIsaac Wirschun Gosálbez\, violín · 6ºEP \nF. Tárrega (1852–1909) · Recuerdos de la Alhambra · 4’30’’ \nAdrián Vázquez Jover\, guitarra · 5ºEP \nE. Elgar (1857–1934) · Concierto para violonchelo y orquesta en mi menor\, op. 85 · 8’ \nClaudio Álvarez León\, violonchelo · 6ºEP \nM. Ravel (1875–1937) · Tzigane · 11’ \nVictoria Álvarez León\, violín · 6ºEP \n  \nPianistas repertoristas \nEva Narejos · Irene Renart · Álex Font · Filipp Moskalenko \n  \n\n  \nEntrada libre\, mediante invitación. \n\n\n  Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a:\n\n· protocolo.adda@diputacionalicante.es\n\n· Aforo limitado\, máx. 2 entradas/persona. Las entradas se confirmarán y entregarán una semana antes del concierto.\n\n. Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-profesional-de-musica-de-alicante-guitarrista-jose-tomas-departamento-de-cuerda/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260306T190000
DTEND;TZID=Europe/Madrid:20260306T200000
DTSTAMP:20260211T083243Z
CREATED:20251016T080011Z
LAST-MODIFIED:20260211T083243Z
UID:10002095-1772823600-1772827200@addaalicante.es
SUMMARY:EN MODO HABANERA. SANDRA FERRÁNDEZ\, mezzo-sopranoIRENE ALFAGEME\, piano
DESCRIPTION:PROGRAM: \nSONG TO ABSENT LOVE\nMiquel Ortega (1963) – La casa que vull (2000) Text by Joan Salvat-Papasseit\nBorja Mariño (1982) – La grama triste (2022) Text by Antonio Gala\nRubén Díez (1977) – Carta del más allá (2018) Text by Juan Carlos de la Madrid\nJordi López (1982) – El ausente (2022) Text by Carmen Ortiz Mompeán \nNOSTALGIA FOR CUBA\nErnesto Lecuona (1896-1963) – Habanera (1958) Piano solo\nXavier Montsalvatge (1912-2002) – Canciones negras (1945) Cuba dentro de un piano\nText by Rafael Alberti\nPunto de habanera Text by Néstor Luján \nSebastián Iradier y Salaverri (1809-1865) – La paloma (1863) Text by Sebastián Iradier y Salaverri\nLeonora Milà (1942) – Havanera No. 3\, Op. 53 (1992) Piano solo \nTHE 21ST-CENTURY HABANERA\nMarcos Fernández-Barrero (1984) – Van y vienen (2023) Anonymous text (15th century)\nJesús Legido (1943) – Paisajes: Tiempo de habanera (2023) Text by Jesús Legido\nJuan Durán (1969) – Músicos del Metropolitano (2023) Text by Javier Mateo\nJavier Centeno (1973) – Todo blanco (2023) Text by Antonio García Teijeiro \nHABANERAS IN SPANISH LYRIC THEATRE\nEmilio Arrieta (1821-1894) – “Habanera”\, zarzuela Un sarao y una soirée (1866) Piano solo\nFederico Chueca (1846-1908)\, Joaquín Valverde (1846-1910) – “Oiga usté\, caballero”\, revue El año pasado por agua (1889)\nLibretto by Ricardo de la Vega\nGeorges Bizet (1838-1875) – “Tan rebelde es el amor”\, Carmen (1887\, 1890) Libretto by Ludovic Halévy and Henri Meilhac\, Spanish version by Eduardo de Bray \n  \n  \n\nIn habanera mode \nThe habanera is a song that travels back and forth between Spain and the colonies. Born as a European dance performed with sensual movements\, it reached Cuba brought by settlers\, and later returned to the continent with its lilting sway and mellow\, sweetly coloured air.\nThis recital offers a wide panorama of the genre\, featuring composers from both sides of the Atlantic. \n\nSANDRA FERRÁNDEZ. Mezzo-soprano \nMezzo-soprano Sandra Ferrández has established herself as one of the most versatile and expressive voices of her generation\, thanks to a deep\, nuanced timbre\, a captivating stage presence\, and a strong interpretive commitment—qualities recognised by critics and audiences alike. \nBorn in Crevillente (Alicante)\, she studied with Ana Luisa Chova at the Joaquín Rodrigo Higher Conservatory of Valencia\, where she received the Extraordinary End-of-Degree Award\, and furthered her training with artists such as Gundula Janowitz\, Elena Obraztsova\, and Wolfram Rieger. She has received honours including the Ópera Actual Award\, First Prize at Juventudes Musicales de España\, and First Prize in Zarzuela in Abarán. \nShe made her operatic debut as Giulietta in Les Contes d’Hoffmann\, and soon reached a major milestone when she stepped in for Montserrat Caballé in Le Roi d’Ys. Since then\, she has enjoyed an intense career in leading Spanish theatres and concert halls\, as well as on international stages such as the Kennedy Center in Washington and Osaka’s Festival Hall\, in addition to recitals with the Simón Bolívar Orchestra in Caracas and at the Łańcut Festival (Poland). \nIn zarzuela\, she has shone in emblematic titles such as La verbena de la Paloma\, Los Gavilanes at the Teatro de la Zarzuela\, La Revoltosa at Teatros del Canal\, El Barberillo de Lavapiés and La Malquerida at the Palau de les Arts\, and Doña Francisquita at the Gran Teatro de Córdoba. \nShe has worked with conductors such as Lorin Maazel\, Semyon Bychkov\, Pier Giorgio Morandi\, Jesús López Cobos\, Ivor Bolton\, and Guillermo García Calvo\, and with stage directors including Emilio Sagi\, Giancarlo Del Monaco\, and Lluís Pasqual. Her versatility has also taken her into contemporary repertoire\, appearing in premieres at the Teatro Real\, the Palau de les Arts\, and Oviedo Opera. \nRecent engagements include Carmen at the Teatro de la Maestranza\, La Vida breve and Carmen at Alicante’s ADDA\, Los Gavilanes at the Teatro de la Zarzuela\, La Dama del Alba in Oviedo\, Hansel and Gretel at Teatro Real Retiro\, Nixon in China and Tejas Verdes at the Teatro Real\, and La Traviata at Los Jameos del Agua. In the 2025/26 season she sings Rigoletto and Carmen at Oviedo Opera\, and Los Estunmen at the Liceu and the Teatro Real\, among other engagements. \n\nIRENE ALFAGEME. Piano \nIrene Alfageme has established herself as one of Spain’s leading pianists specialising in vocal repertoire. She has collaborated in recitals with Bryn Terfel and Plácido Domingo\, as well as in rehearsals with\, among others\, Felicity Lott and Ian Bostridge. As a répétiteur\, she works with the Hoffmann Theater in Bamberg and the Teatro Calderón in Valladolid. Her extensive orchestral experience has led her to collaborate with the Castilla y León Symphony Orchestra and Spain’s National Orchestra and Choir\, and she is a founding member of the Natalia Ensemble. She has given numerous recitals across Europe\, Canada\, the United Arab Emirates\, South Africa\, and Japan. Her awards include the Janet Duff Greet Prize\, the Concurso Ciudad de S. Sebastián\, and Monserrat Alavedra. She is Professor at the Escuela Superior de Canto in Madrid\, holds a PhD (cum laude) from the University of Valladolid\, and has been distinguished as an “Associate” of the Royal Academy of Music in London. \n 
URL:https://addaalicante.es/en/concierto/en-modo-habanera/
LOCATION:Alicante
CATEGORIES:CICLO CÁMARA
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/10/CAMARA_6mar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260307T210000
DTEND;TZID=Europe/Madrid:20260307T220000
DTSTAMP:20260302T070833Z
CREATED:20251111T075218Z
LAST-MODIFIED:20260302T070833Z
UID:10002217-1772917200-1772920800@addaalicante.es
SUMMARY:YERAI CORTÉS
DESCRIPTION:Yerai Cortés (Alicante\, 1995) es un guitarrista que destaca como una de las grandes promesas del flamenco contemporáneo. En 2024 estrenó junto a C. Tangana la película La guitarra flamenca de Yerai Cortés\, ganadora de dos Premios Goya 2025\, y publicó su primer álbum homónimo con Sony Music. Ha colaborado con figuras como Remedios Amaya\, Israel Fernández y Rocío Molina\, y ha llevado su espectáculo Guitarra Coral a escenarios internacionales como Sónar o el Teatro Real.
URL:https://addaalicante.es/en/concierto/yerai-cortes/
LOCATION:Alicante
CATEGORIES:OTRAS MÚSICAS
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/11/7mar_Yerai-cortes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260308T200000
DTEND;TZID=Europe/Madrid:20260308T210000
DTSTAMP:20250730T091322Z
CREATED:20250602T090035Z
LAST-MODIFIED:20250730T091322Z
UID:10001911-1773000000-1773003600@addaalicante.es
SUMMARY:LA ESLOVACA - SLOVAK PHILARMONIC CORO AMICI MUSICAE ALEXANDRA CONUNOVA\, VIOLÍN MARKO MIMICA\, BAJO BARÍTONO DANIEL RAISKIN\, DIRECTOR
DESCRIPTION:T13\nSALE OF INDIVIDUAL ENTRY: From August 1\, 2025 \n\nSLOVAK PHILARMONIC ORCHESTRA\nThe Slovak Philharmonic Orchestra was founded in 1949. Two internationally renowned figures\, Václav Talich (1949–1952) and Ľudovít Rajter (1949–1976)\, were present at the orchestra’s inception. Other principal conductors who have played an important role in the orchestra’s musical development include Tibor Frešo\, Ladislav Slovák\, Libor Pešek\, Vladimir Verbickij\, Bystrík Režucha\, Aldo Ceccato\, Ondrej Lenárd\, Jiří Bělohlávek\, Vladimir Válek\, Peter Feranec\, Emmanuel Villaume\, and James Judd. In the 2020/2021 season\, Daniel Raiskin took over as chief conductor. \nThe orchestra has made numerous recordings for radio\, television\, and music publishers including OPUS\, Supraphon\, Panton\, Hungaroton\, JVC Victor\, RCA\, Pacific Music\, Naxos\, and Marco Polo. The Slovak Philharmonic regularly performs as a guest on leading stages and festivals across Europe\, as well as in Cyprus\, Turkey\, and the United States\, and has toured Japan\, South Korea\, Oman\, and the United Arab Emirates. \nIn 2023\, the Slovak Philharmonic toured Japan with pianist Olga Scheps and cellist Tatsuki Sasanuma. Later that year\, they toured South Korea with pianist Yekwon Sunwoo. In February 2024\, they performed with pianist Lovre Marušić in Zagreb and Maribor. \nIn the 2024/2025 season\, under the direction of chief conductor Daniel Raiskin\, the orchestra recorded works by Schmidt\, Dohnányi\, and Hummel. They performed at the opening \nconcert of the Špilberk Festival and returned to the Swiss Murten Classics Festival. Among their international engagements were concerts at the Liederhalle in Stuttgart\, the Cologne Philharmonie\, and St. Stephen’s Cathedral in Vienna. The Slovak Philharmonic also gave performances in Slovak cities such as Piešťany\, Ružomberok\, and Nitra\, and concluded the season at the Český Krumlov Festival with world-renowned violinist Maxim Vengerov. \n\nAMICI MUSICAE. CHOIR\nFounded in 1989 at the Municipal School of Music of Zaragoza by Andrés Ibiricu\, the Amici Musicae Symphonic Choir is the resident choir of the Zaragoza Auditorium\, where it has built an outstanding national and international career. Comprising more than 90 singers\, it is part of a choral structure that also includes youth\, children’s\, and introductory choirs\, totaling over 300 voices. \nOver more than three decades\, Amici Musicae has performed major works from the symphonic-choral repertoire\, spanning from the Baroque to the 20th century\, including works by Händel\, Vivaldi\, Haydn\, Mozart\, Beethoven\, Brahms\, Fauré\, Stravinsky\, Mahler\, and Orff. The choir has also participated in opera productions such as La Traviata\, Carmen\, La Bohème\, Il Trovatore\, and The Magic Flute. \nIt has collaborated with prestigious orchestras such as the Israel Philharmonic Orchestra\, the Hamburg Symphony Orchestra\, the Mariinsky Theatre Orchestra of Saint Petersburg\, RTVE Symphony Orchestra\, and the Cadaqués Orchestra. Among the conductors it has worked with are Sir Neville Marriner\, Gianandrea Noseda\, Zubin Mehta\, Valery Gergiev\, Marin Alsop\, and Miguel Ángel Gómez Martínez. \nThe choir has performed in renowned venues such as the National Auditorium in Madrid\, the Palau de la Música in Barcelona\, the Palau de la Música in Valencia\, the Basilica of Santa Maria Maggiore and the Palazzo della Musica in Rome\, the Calouste Gulbenkian Auditorium in Lisbon\, Saint-Étienne Cathedral and the Halle aux Grains in Toulouse\, Our Lady of Dolours Church in Chelsea\, London\, and the Church of St. Simon and Jude in Prague. \nCurrently\, the Symphonic Choir is conducted by Igor Tantos Sevillano; the Youth Choir by Vanesa García Simón; and the Children’s and Introductory Choirs by Isabel Solano \nFernández. Vanesa García is also in charge of vocal technique. Rehearsal pianists are Javier Montañés Rocha and Óscar Carreras Molina\, who also collaborates as arranger. During the pandemic\, Amici Musicae maintained its activity through virtual rehearsals and productions\, and it now continues its artistic work with renewed commitment\, actively participating in the Zaragoza Auditorium’s programming and various cultural projects. \n\nALEXANDRA CONUCOVA. Violin\nThe 2024/2025 season included her debut at the Verbier Festival\, as well as concerts with the Bologna Philharmonic\, Essen Philharmonic\, BR Rundfunkorchester\, and George Enescu Philharmonic. She also performed with the Macau Symphony\, Timișoara Philharmonic\, and toured with Christian Zacharias across several European cities. A highlight was her performance of Beethoven’s Triple Concerto at the Dvořák Festival in Prague alongside Pablo Ferrández and Dmitry Shishkin\, conducted by Ingo Metzmacher. \nHer recording of Prokofiev’s Violin Sonatas with Michail Liftis\, released on Aparté\, was critically acclaimed for its technical assurance and interpretive boldness. Her recording \nof Vivaldi’s The Four Seasons was also celebrated for its elegance and virtuosity. Alexandra currently plays a 1785 Giovanni Battista Guadagnini violin\, ex “Ida Levin.” \n\nMARKO MIMICA. Bass-Baritone\nCroatian bass-baritone Marko Mimica is one of the most prominent and sought-after soloists of his generation. He graduated from the Zagreb Music Academy in 2011. That same year\, he participated in the prestigious Young Singers Project at the Salzburg Festival\, marking the start of his international career. He was part of the Deutsche Oper Berlin Ensemble from 2011 to 2016.\nIn the 2024-25 season\, Mimica will debut at the Berlin Staatsoper with Verdi’s Simon Boccanegra\, perform in the premiere of a new production of Verdi’s Macbeth at the Deutsche Oper Berlin\, directed by Marie-Eve Signeyrole\, return to ABAO Bilbao with Tristan und Isolde\, and give recitals in Oviedo\, La Coruña\, and Seville. In the symphonic repertoire\, he will perform Beethoven’s Missa Solemnis at the Kennedy Center in Washington under Noseda\, Rossini’s Stabat Mater in Tokyo conducted by Michele Mariotti\, and Mussorgsky’s Songs and Dances of Death with the Granada City Orchestra.\nHe is a regular at venues such as the Paris Opéra National\, Théâtre des Champs-Élysées\, Barcelona’s Gran Teatre del Liceu\, Madrid’s Teatro Real\, Vienna State Opera\, Valencia’s Palau de les Arts\, Turin’s Teatro Regio\, Rome’s Teatro dell’Opera\, Amsterdam National Opera\, Bologna’s Teatro Comunale\, Palermo’s Teatro Massimo\, Sydney Opera\, Florence’s Maggio Musicale Theatre\, Wallonie Royal Opera\, Buenos Aires’ Teatro Colón\, Naples’ San Carlo Theatre\, Deutsche Oper Berlin\, Muscat Royal Opera\, Parma’s Teatro Regio\, Dresden’s Semperoper\, and Verona Arena\, among others. He has also performed at the Pesaro\, BBC Proms\, and Edinburgh festivals\, noted for his interpretive versatility. \nMimica has worked with conductors such as Gianandrea Noseda\, Donald Runnicles\, Daniel Oren\, Maurizio Benini\, Michele Mariotti\, Riccardo Frizza\, Francesco Ivan Ciampa\, Marco Armiliato\, and Roberto Abbado\, and with renowned stage directors like Robert Carsen\, Claus Guth\, Willy Decker\, Christof Loy\, David Alden\, Calixto Bieito\, Damiano Michieletto\, Emma Dante\, and Pier Luigi Pizzi.\nIn symphonic and concert repertoire\, he has performed Verdi’s Requiem at the Berliner Philharmoniker\, Rossini’s Stabat Mater at Bologna’s Archiginnasio\, Washington’s Kennedy Center\, New York’s Carnegie Hall\, and Amsterdam’s Concertgebouw\, and Stravinsky’s Oedipus Rex at Turin’s RAI Auditorium\, Modena\, Ferrara\, and Naples’ San Carlo Theatre. \n\nDANIEL RAISKIN. Conductor\nDaniel Raiskin is one of the most recognized conductors of his generation\, characterized by his unmistakable artistic signature and carefully curated programs that explore beyond conventional repertoire. The son of a prominent musicologist\, he grew up in St. Petersburg\, attending the city’s renowned conservatory. He continued his studies in Amsterdam and Freiburg. Initially focused on the viola\, he was inspired to take up the baton after an encounter with distinguished maestro Lev Savich. He also trained with masters such as Mariss Jansons\, Neeme Järvi\, Milan Horvat\, Woldemar Nelsson\, and Jorma Panula. \nSince the 2020/2021 season\, Raiskin has been Principal Conductor of the Slovak Philharmonic in Bratislava. Since August 2018\, he has been Music Director of the Winnipeg Symphony Orchestra and\, since the 2017/2018 season\, Principal Guest Conductor of the Belgrade Philharmonic Orchestra. \nHe was Principal Conductor of the Staatsorchester Rheinische Philharmonie in Koblenz (2005-2016) and the Artur Rubinstein Philharmonic in Łódź (2008-2015)\, as well as Principal Guest Conductor of the Tenerife Symphony Orchestra in the 2017/2018 season. \nHe is a regular guest with orchestras such as the Hong Kong Sinfonietta\, Naples Philharmonic\, Taiwan National Symphony\, Osaka Philharmonic\, Residentie Orkest\, Sinfonia Varsovia\, Stuttgart Philharmonic\, Swedish Chamber Orchestra\, and Warsaw Philharmonic. In opera\, he has conducted productions of Carmen\, Shostakovich’s The Nose\, and Mozart’s Don Giovanni. He participated in the InClassica International Music Festival in Dubai in 2021 and 2022 and led the Slovak Philharmonic on a Japan tour in 2023. \nCommitted to training young musicians\, Raiskin regularly collaborates with youth orchestras in Canada\, Estonia\, Germany\, Iceland\, the Netherlands\, and South Africa. \nHe has worked with prominent soloists such as Emanuel Ax\, Rudolf Buchbinder\, Renée Fleming\, Nelson Freire\, Lang Lang\, Julian Rachlin\, Anna Vinnitskaya\, and Alexei Volodin. His discography includes recordings of Mahler’s Symphony No. 3 and Shostakovich’s Symphony No. 4 with the AVI label\, both critically acclaimed. His recording of cello concertos by Korngold\, Bloch\, and Goldschmidt with Julian Steckel received a 2012 Echo Klassik award. Other recent projects include symphonic cycles by Louis Glass\, concertos and rhapsodies by Aram Khachaturian with the CPO label\, vocal-instrumental works by Lutosławski with Dux\, and a recording of Alexander Tansman’s Isaïe le Prophète and Psaumes with World Premiere Recordings.
URL:https://addaalicante.es/en/concierto/la-eslovaca-slovak-philarmonic-coro-amici-musicae-alexandra-conunova-violin-marko-mimica-bajo-baritono-daniel-raiskin-director/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260310T173000
DTEND;TZID=Europe/Madrid:20260310T183000
DTSTAMP:20251013T171528Z
CREATED:20251013T171528Z
LAST-MODIFIED:20251013T171528Z
UID:10002075-1773163800-1773167400@addaalicante.es
SUMMARY:Conservatorio Profesional de Música de Alicante "Guitarrista José Tomás". Departamento de Tecla
DESCRIPTION:  \n\nEntrada libre\, mediante invitación. \n\n\n  Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a:\n\n· protocolo.adda@diputacionalicante.es\n\n· Aforo limitado\, máx. 2 entradas/persona. Las entradas se confirmarán y entregarán una semana antes del concierto.\n\n. Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-profesional-de-musica-de-alicante-guitarrista-jose-tomas-departamento-de-tecla-4/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260310T173000
DTEND;TZID=Europe/Madrid:20260310T183000
DTSTAMP:20260220T084140Z
CREATED:20251016T071610Z
LAST-MODIFIED:20260220T084140Z
UID:10002069-1773163800-1773167400@addaalicante.es
SUMMARY:Conservatorio Profesional de Música de Alicante "Guitarrista José Tomás". Departamento de Tecla
DESCRIPTION:Programa: \nLuka Natriashvili (5.º EE.PP.) \nL. van Beethoven (1770-1827). Sonata en re menor\, Op. 31 n.º 2 “La Tempestad”: I. Allegro (1801) (8’40) \nZaira Fernández Pedrajas (4.º EE.PP.) \nF. Chopin (1810-1849). Balada n.º 1 en sol menor\, Op. 23 (1835) (9’12) \nMartina Marín Sala (4.º EE.PP.) \nF. Chopin (1810-1849). Polonesa en do# menor\, Op. 26 n.º 1 (1836) (6’30) \nJose Gambra Luz (4.º EE.PP.) \nR. Schumann (1810-1856). Arabesque en Do Mayor\, Op. 18 (1839) (7’) \nDaniel Sentana Chang (6.º EE.PP.) \nF. Chopin (1810-1849). Balada n.º 3 en Lab Mayor\, Op. 47 (1841) (7’) \nIrene Gómez López (4.º EE.PP.) \nJ. Brahms (1833-1897). Intermezzo en la menor\, Op. 76 n.º 7 (1878) (4’) \nAlejandro Fernández Viltsen (5.º EE.PP.) \nA. Piazzolla (1921-1992). Libertango (1974) (3’30) \n  \n\n  \nEntrada libre\, mediante invitación. \n\n\n  Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a:\n\n· protocolo.adda@diputacionalicante.es\n\n· Aforo limitado\, máx. 2 entradas/persona. Las entradas se confirmarán y entregarán una semana antes del concierto.\n\n. Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-profesional-de-musica-de-alicante-guitarrista-jose-tomas-departamento-de-tecla-3/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260310T193000
DTEND;TZID=Europe/Madrid:20260310T203000
DTSTAMP:20260220T084252Z
CREATED:20251016T071726Z
LAST-MODIFIED:20260220T084252Z
UID:10002072-1773171000-1773174600@addaalicante.es
SUMMARY:Conservatorio Profesional de Música de Alicante "Guitarrista José Tomás". Departamento de Agrupaciones Instrumentales
DESCRIPTION:Programa: \nGeorge Gershwin (1898-1937). Gershwin on Broadway (Arr: Jeffrey Stone)                \nTrompeta:  \nLucía Casanueva Sala 6º EEPP \nTaylor Calero Gil 4º EEPP \nTrompa:  \nNicolás Casanueva Sala 3º EEPP \nBombardino: \nAndrés Jiménez Soria 6º EEPP \nTuba: Álex Díaz Martínez 3º EEPP \nLouse Farrenc (1804-1875). \nTrío op. 45: I. Allegro deciso Flauta: Roser García Candela 5º EEPP \nCello: David Mba Priego 4º EEPP \nPiano: Sofiia Andreeva 6º EEPP \nMalcolm Arnold (19212-2006). Divertimento para flauta\, oboe y clarinete op. 37:                  \nI. Allegro; II. Languido; III. Vivace; IV. Andantino; V. Maestoso; VI. Piacevole \nFlauta: María Ruíz Íñiguez 6º EEPP \nOboe: Yang\, Xin 5º EEPP \nClarinete: Sara Barea Cabrera 3º EEPP \nGary Schocker (1959-). Tres danzas para dos flautas y piano  \nFlauta: María Pérez Soler 6º EEPP \nFlauta: Iván Vicedo Gironés 4º EEPP \nPiano: Fernando Verdú Díaz 5º EEPP \nSergei Rachmaninoff (1873-1943). Sonata para cello y piano op. 19: III. Andante \nCello:  \nAntonio Fernández Martínez 4º EEPP \nPiano: Luka Natriashvili 5º EEPP \nGian Carlo Menotti (1911-2007). Trío para violín\, clarinete y piano: \nI. Capriccio: Allegro – II. Romanza: Andante espressivo – III. Envoi: Allegro \nViolín: Liliana Mishakova 6º EEPP \nClarinete: Bagrat Natriashvili 6º EEPP \nPiano: Daniel Sentana Chang 6º EEPP \nCésar Franck (1822-1890). Sonata para cello y piano en la mayor: III. Recitativo – Fantasía \nCello: Claudio César Álvarez León 6º EEPP \nPiano: Bagrat Natriashvili 6º EEPP \nCésar Franck (1822-1890). Sonata para violín y piano en la mayor: II. Allegro \nViolín:  \nVictoria Almarie Álvarez León 6º EEPP \nPiano: Bagrat Natriashvili 6º EEPP \n  \n\n  \nEntrada libre\, mediante invitación. \n\n\n  Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a:\n\n· protocolo.adda@diputacionalicante.es\n\n· Aforo limitado\, máx. 2 entradas/persona. Las entradas se confirmarán y entregarán una semana antes del concierto.\n\n. Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-profesional-de-musica-de-alicante-guitarrista-jose-tomas-departamento-de-agrupaciones-instrumentales/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260314T190000
DTEND;TZID=Europe/Madrid:20260314T200000
DTSTAMP:20251120T163410Z
CREATED:20251016T080000Z
LAST-MODIFIED:20251120T163410Z
UID:10002157-1773514800-1773518400@addaalicante.es
SUMMARY:CARLES TREPAT
DESCRIPTION:G7. Nacido en 1960 en Lleida\, Carles Trepat inició los estudios de guitarra con Jordi Montagut. En 1976 asistió al último curso que dio Emilio Pujol en Cervera. Cursó los estudios de Grado Superior de Guitarra con José Tomás en el Conservatorio “Oscar Esplá” de Alicante y también estudió con José María Sierra\, Eduardo Sainz de la Maza y en la “École Normale de Musique de Paris” con Rafael Andía y Alberto Ponce. \nHa obtenido prestigiosos premios y reconocimientos internacionales como el Premio Tárrega del Certamen Internacional Francisco Tárrega de Benicasim y el Primer premio del Toronto International Guitar Festival de 1987. Ha actuado en el Wigmore Hall y Queen Elisabeth Hall de Londres\, Sala del Conservatorio Chaikovsky de Moscú\, en el Teatro de La Maestranza de Sevilla\, participando en los Festivales de Granada y Cadaqués\, Temporadas Ibercàmera y Palau 100 de Barcelona. Como solista ha colaborado con las orquestas Ciudad de Granada\, Solistas de Zagreb\, Philarmonique de Montpellier\, English Chamber Orquesta\, I Musici\, con los directores Leopold Hager\, Josep Pons\, García Asensio\, Neville Marriner\, Claudio Scimone. \nSu interés por la música popular le ha llevado a arreglar para guitarra las canciones del Maestro Quiroga y a colaborar con algunos de los mejores artistas flamencos del momento: Tomatito\, Belén Maya\, Israel Galván y Duquende. \nSu obra “Homenaje a Baden Powell” fue premiada en el Carrefour Mondiale de la Guitare de Martinique de 1994. En 2017 compuso el “Tríptico para Antonio Torres”\, que forma parte de la banda sonora del documental “La española\, la de Torres”. También en 2017 estrenó su “Homenaje a Granados” (Fantasía catalana) para guitarra y orquesta de cámara. \nColaboró con Fernando Alonso en la recuperación del legado de Miguel Llobet y también en el redescubrimiento actual de alguna de las obras de Miguel García (P. Basilio). \nEn 2007 publica el CD “El Albaicín”\, que cuenta con la primera grabación de esta pieza de Albéniz para guitarra sola. Su grabación “Granados- Llobet\, 100 años de un viaje” rinde homenaje al gran compositor leridano y a su amigo Miguel Llobet\, primer transcriptor para guitarra de la música de Granados. \nCarles Trepat es uno de los más entregados divulgadores en nuestros días del sonido de Antonio Torres y de los guitarreros que siguieron su ejemplo\, como Santos Hernández y Domingo Esteso. \n\nPrograma:\nFernando SOR (1778-1839)\nTres estudios\, op. 31 Nº 4\, 8 y 18 \nDomenico SCARLATTI (1685-1757)\nSonata K. 291 Andante Sonata K. 11 Allegro \nMiguel LLOBET (1878-1938)\nPreludio Romanza \nÁngel BARRIOS (1882-1964)\nZacatín (Farruca)\nSin estrella y sin cielo (Canción)\nRosario de la aurora (Cantos del amanecer) INTERMEDIO \nAlonso MUDARRA (c.1510-1580)\nFantasía de 4º Tono\nRomansesca o Guárdame las vacas \nAgustín BARRIOS (1885-1944)\nMedallón antiguo (a la manera de los antiguos vihuelistas)\nMabelita (Gavota)\nJulia Florida (Barcarola)\nVals Op. 8 N.º 4 \nDaniel FORTEA (1878-1953)\nToledo (Nocturno) \nFrancisco TÁRREGA (1852-1909)\nPreludios Nº 2 y 3 Minuetto\nMaría (Gavota)\nLas dos hermanas (Vals)
URL:https://addaalicante.es/en/concierto/carles-trepat/
LOCATION:Alicante
CATEGORIES:LA GUITARRA
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260315T100000
DTEND;TZID=Europe/Madrid:20260315T110000
DTSTAMP:20260227T090332Z
CREATED:20260219T115328Z
LAST-MODIFIED:20260227T090332Z
UID:10002275-1773568800-1773572400@addaalicante.es
SUMMARY:XIII CICLO LAS BANDAS DE LA PROVINCIA EN EL ADDA. AGRUPACIÓN MUSICAL "LOS MONTESINOS"
DESCRIPTION:ECOS DEL ALMA\, DE LA TIERRA Y DEL ESPIRÍTU \n\n  \nPrograma: \n\n\n\n1. José Serrano “Las Provincias” (Pasodoble) \nDuración: Aproximadamente 5 minutos. \n2. Manuel Castello Rizo “La Móndidas” \nDuración: Aproximadamente 12 minutos. \n3. Gustav Holst “Second Suite for Military Band” \nDuración: Aproximadamente 12 minutos \n4. Franco Cesarini “Images of a City” \nDuración: aproximadamente 10 minutos. \n5. David Maslanka “Give Us This Day” \nDuración: Aproximadamente 15 minutos. \n  \n\n\n\nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: taquilla.adda@diputacionalicante.es\n\n\n\n· Aforo limitado\, máx. 4 entradas/persona. Las entradas se confirmarán y entregarán desde la semana antes del concierto.\n\n\n· Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/xiii-ciclo-las-bandas-de-la-provincia-en-el-adda-agrupacion-musical-los-montesinos/
LOCATION:Sala Sinfonica
CATEGORIES:NUESTRAS BANDAS Y ORQUESTAS
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260315T130000
DTEND;TZID=Europe/Madrid:20260315T140000
DTSTAMP:20260227T091735Z
CREATED:20260219T115142Z
LAST-MODIFIED:20260227T091735Z
UID:10002272-1773579600-1773583200@addaalicante.es
SUMMARY:XIII CICLO LAS BANDAS DE LA PROVINCIA EN EL ADDA. Asociación Músico Cultural Eldense Santa Cecilia (AMCE Santa Cecilia)
DESCRIPTION:40 AÑOS DEL CERTAMEN DE MÚSICA DE MOROS Y CRISTIANOS DE ELDA \n\nPrograma: \nJoan Enric Canet Todolí. ENTRADA CRISTIANA DE ELDA (M.C.) \nSUITE GIOVINEZZA \n1 Preludio. 2 Siciliana. 3 Romance  (5’) \nJoan Enric Canet Todolí  \n4 Scherzino. 5 Alla marcia (10’) \nJosé Rafael Pascual. TUDMIR (M.M.)  \nVilaplana  (7’) \nJosé Rafael Pascual. KOINÓS (Música incidental) \nVilaplana (4’) \nRafael Mullor Grau. ALCÁZAR DE ELDA (M.C.) (4’) \n\nRafael Mullor Grau. RASOABEL (Concierto para banda) (18’) \nAmando Blanquer. ELDA (M.M.)  \nPonsoda (6’) \n  \nDirector: Rafa Rico Pérez \n\n\n\n\nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: taquilla.adda@diputacionalicante.es\n\n\n\n· Aforo limitado\, máx. 4 entradas/persona. Las entradas se confirmarán y entregarán desde la semana antes del concierto.\n\n\n· Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/xiii-ciclo-las-bandas-de-la-provincia-en-el-adda-asociacion-musico-cultural-eldense-santa-cecilia-amce-santa-cecilia/
LOCATION:Sala Sinfonica
CATEGORIES:NUESTRAS BANDAS Y ORQUESTAS
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260316T180000
DTEND;TZID=Europe/Madrid:20260316T190000
DTSTAMP:20260304T111152Z
CREATED:20260304T111152Z
LAST-MODIFIED:20260304T111152Z
UID:10002283-1773684000-1773687600@addaalicante.es
SUMMARY:Conservatorio Profesional de Música de Alicante "Guitarrista José Tomás". CONCIERTO DE ALUMNOS
DESCRIPTION:Mujeres compositoras 2026 \nPresentación Begoña Ochoa González \n\nPrograma: \nEmerinda Ferrari (Elche 1887- Alicante 1952). TRISTI PENSIERI (Romanza sin palabras) Archivo musical Orquesta “La Wagneriana” de Alicante. \nOrquesta:Bandurrias I: Miguel Ángel Gosálbez\, Juan José Celdrán. Bandurrias II: Joan Aracil\, Juan Jesús García. B. Contralto: Maryla Díaz. B. Tenor I: Celia Moreno. B. Tenor II: Fabián Huarcaya. Guitarras: Jorge Pérez Revert\, Silvia Company López\, Guillermo Grau Violonchelo: Anabella Sofía Hernández Camacho. Bajo eléctrico: Juan José Jordá Micó \n-María Luisa Anido. CANCIÓN DEL YUCATÁN (1907-1996) \n– Maria Linnemann (1947). CANZONE D’AMORE \nGuitarra solo: Marcelo Lores Muxó (2ºEP) \n– Sarah Feigin. FANTASÍA PARA CLARINETE Y PIANO (1928-2011) \nClarinete: Raquel Vicedo Navas (6ºEP). Profesor pianista repertorista: Álex Font Puig \nAlumnado de 5º EP de Danza Clásica: Núria Alarte\, Irene Guardiola\, Alicia López\, Ayelén López\, Hanna Rosado\, Maia Salas. \nProfesora y coreografía: Mª Carmen Lluch \n– Rachel Portman (1960). EMMA (BSO) \nAdaptación de Eduardo Molero. Clarinetes: Raquel Vicedo Navas\, Paula Lorente Pérez (4º EP)\, Claudia García Esquiva (3º EP)\, Clara Coves Espinosa (2º EP). Profesor pianista repertorista: Álex Font Puig \nAlumnado de 3º EP de Danza Clásica: Aitana Gomis\, Inna Kosenkova\, Ángela Moreno\, Erika Navarro\, Triana Rodríguez. \nProfesora y coreografía: Christiane Amat \n-Fanny Mendelssohn (1805-1847). FANTASÍA PARA CELLO Y PIANO EN SOL MENOR \nCello: Antonio Ferrández (4ºEP)\, Profesor pianista repertorista: Álex Font Puig \nAlumnado de 6º EP de Danza Clásica:  Berta Compañ\, Sofía Dobroskok\, Lola Guisado\, Alba Iborra\, Natalia Montalvo\, Laura Rives. \nProfesora: Marga Alemañ. Coreografía: Alumnas \n– Fanny Mendelssohn (1805-1847). DER NACHTWANDERER \nVoz: Tamara Carnota Iglesias (6ª EP)\, Profesor pianista repertorista: Álex Font Puig \nAlumnado de 6º EP de Danza Contemporánea: Yaiza Andreu\, Amanda Boix\, Irene Castelló\, Marina Costa\, Candela Coll\, Kamyla Damiano\, Alba Gilabert\, Aitana Morote\, Victoria Vicente \nProfesora y coreografía: Asun Noales \n– Maria Szymanowsky. MAZURKAS en DO M y SOL M \nPiano: Cindy Liao (1º EP) \n– Jessica Muñiz. ERUPTION OF SAKURAJIMA \nMarimba solo: Sergi Pérez Molina (5ºEP) \nAlumnado de 4º EP de Danza Contemporánea: Elizaveta Belova\, Marte Conesa\, Laia Gomis\, Sara González\, Nayade González\, Paula Hernández\, Laura Pastor\, Diana Pushina. \nProfesora: Natalia Albertos. Coreografía: Natalia Albertos y alumnas. \n– Alice Gómez (1960). GITANO I y II \nMarimba: Marcos Lloret García (5ºEP) y Cajón: Sergi Pérez (5ºEP) \nAlumnado de 6º EP de Danza Española: Yurimara Cantó López\, Telma González Andreu\, Paula González Morales\, Carmen Hostaled Daimiel\, Daniela Lillo Domenech\, Adriana Pascual García. \nProfesora y coreografía: Rocío Sempere \n– Billie Eilish (2001). BILLIE BOSSA NOVA \nGrupo de cámara: Piano: Paula Rodríguez Segura (3ºEP)y Begoña Ochoa González (2º EP). Percusión: Jorge Martínez Pina (4ºEP)\, Sergi Pérez (5ºEP)\, Marcos Lloret (5ºEP)\, Begoña Colomina Bernabeu. Guitarra: Jorge Pérez. Trompeta: Mario Cremades Guillén (2º EP). Flauta: Diana Poquis (3ª EP). Bajo eléctrico: Juan José Jordá Micó \nAlumnado de 1º EP de Danza Contemporánea: José Manuel Box Pomares\, Aitana Gabín González\, Laura Guijarro Pérez\, Elora Eras Podadera\, Carmen Moreno Moltó\, Claudia Quereda Ponce\, Gustavo Rodríguez Pastor\, Dana Segura Jordán \nProfesor y coreografía: Abel Martí \n\n  \nEntrada libre\, mediante invitación. \n\n\n  Reserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a:\n\n· protocolo.adda@diputacionalicante.es\n\n· Aforo limitado\, máx. 4 entradas/persona. Las entradas se confirmarán y entregarán una semana antes del concierto.\n\n. Apertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-profesional-de-musica-de-alicante-guitarrista-jose-tomas-concierto-de-alumnos/
LOCATION:Alicante
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260316T200000
DTEND;TZID=Europe/Madrid:20260316T210000
DTSTAMP:20260220T085415Z
CREATED:20251016T070826Z
LAST-MODIFIED:20260220T085415Z
UID:10002033-1773691200-1773694800@addaalicante.es
SUMMARY:CONSERVATORIO SUPERIOR DE MÚSICA ÓSCAR ESPLÁ. BANDA CSMA con solistas
DESCRIPTION:Programa: \nI PARTE \nJACOB TER VELDHUIS. Tallahatchie Concerto \nFor saxo alto y orquesta (versión Banda) \nLento \nFast \nBANDA SINFÓNICA CSMA \nSaxofón Solista: Diego Vergari \nDirector: Luis Pedrón Francés \nII PARTE \nVINCENZO BELLINI. Ah\, non credea. Adagio.”La sonnambula” \nJULES MASSENET. Je marche sur tous le chemins. Gavotte.”Manon”                            \nGIACOMO PUCCINI. Quando m’envo. “La Boheme” \nFRANCIS POULENC. Non\, monsieur mon mari. “Les mamelles de Tirésias” \nORQUESTA SINFÓNICA CSMA \nSoprano solista: Lisabel Huerta Sarduy \nDirector: Luis Pedrón Francés \n  \n\n  \nEntrada libre\, mediante invitación. \nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: \n\n protocolo.adda@diputacionalicante.es\nAforo limitado\, máx.4 entradas/persona.Las entradas se confirmarán y entregarán una semana antes del concierto.\nApertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-superior-de-musica-oscar-espla-banda-csma-con-solistas/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260317T190000
DTEND;TZID=Europe/Madrid:20260317T200000
DTSTAMP:20260220T090031Z
CREATED:20260219T120114Z
LAST-MODIFIED:20260220T090031Z
UID:10002277-1773774000-1773777600@addaalicante.es
SUMMARY:CONSERVATORIO SUPERIOR DE MÚSICA ÓSCAR ESPLÁ. TROMPA / TROMBÓN
DESCRIPTION:Programa: \nJ. de Meil ( 1953- ). T-Bone concerto\, III Mov: Well done                      \nJ. Naulais ( 1951-). Latitudes                                                                      \nPablo Vidal Garrigòs\, trombón \nCristina Cámara Rovira\, piano \nY. Bowen (1884- 1961).  Sonata in Eb Op. 101 \nI Moderato expresivo \nII Poco Lento Maestoso \nIII Allegro con spiritu  \n*   *   * \nN. Rota (1911-1979). Castel del Monte \nAndante sostenuto – Allegro – Allegro moderato \nÁlvaro Ferrández Gómez\, trompa \nCristina Cámara Rovira\, piano \n*   *   * \nC. Pellicer ( 1977-). Omaira                                                                                  \nS.Brotons (1959-). Sonata per a trombò I piano                                            \nVicent Calafat Franquet\, trombó \nCristina Cámara\, piano \n  \n\n  \nEntrada libre\, mediante invitación. \nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: \n\n protocolo.adda@diputacionalicante.es\nAforo limitado\, máx.4 entradas/persona.Las entradas se confirmarán y entregarán una semana antes del concierto.\nApertura de puertas 1 hora antes del concierto.\n\n  \n 
URL:https://addaalicante.es/en/concierto/conservatorio-superior-de-musica-oscar-espla-trompa-trombon/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:ADDA JOVEN
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2021/11/music-1569816-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260318T190000
DTEND;TZID=Europe/Madrid:20260318T200000
DTSTAMP:20260211T114735Z
CREATED:20251016T080007Z
LAST-MODIFIED:20260211T114735Z
UID:10002083-1773860400-1773864000@addaalicante.es
SUMMARY:LA PEQUEÑA JUGLARESAEMILIO VILLALBA SARA MARINA
DESCRIPTION:*Free admission for children under 16. \n\nEmilio Villalba: Musical direction. Lute\, rabab\, hurdy-gurdy\, citole\, guiterne\, viola.Sara Marina: Organetto\, tromba marina\, tambourine\, narration. \n\nThe Little Minstrel Girl is an early-music concert for children and family audiences— a show that brings together theatre\, storytelling\, puppetry and live music\, performed with historical instruments and set in the Middle Ages. \nThe Little Minstrel Girl is a child living in the Middle Ages. In her adventures\, she will meet different figures from History who tell us how music was made\, how it was played\, how it was sung… \nA musical journey into the medieval world\, where the audience learns about music\, rhythms and stories of medieval artists and musicians. \nEmilio Villalba\, a multi-instrumentalist specializing in Early Music\, together with Sara Marina\, is dedicated to the recovery and dissemination of historical music from the 11th to the 16th centuries: medieval\, Andalusi and Sephardic music; Spanish Renaissance music; and Andalusian folk traditions. \nEmilio Villalba and Sara Marina offer a wide cultural programme for all audiences\, with the aim of sharing\, discovering and enjoying our valuable cultural heritage. In their performances they combine music\, narration\, poetry and theatre. \nThe great variety of historical instruments they use to interpret early repertories turns their concerts into a true on-stage “sound museum”: violas\, vihuelas\, psalteries\, hurdy-gurdy\, lutes\, keyboard instruments…
URL:https://addaalicante.es/en/concierto/la-pequena-juglaresa/
LOCATION:Alicante
CATEGORIES:CICLO ALMANTIGA
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/10/ALMANTIGA_18mar.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260320T200000
DTEND;TZID=Europe/Madrid:20260320T210000
DTSTAMP:20250730T091608Z
CREATED:20250602T090025Z
LAST-MODIFIED:20250730T091608Z
UID:10001914-1774036800-1774040400@addaalicante.es
SUMMARY:SUIZA Y EUROPA - ORCHESTRA DELLA SVIZZERA ITALIANA MARTHA ARGERICH\, PIANO CHARLES DUTOIT\, DIRECTOR
DESCRIPTION:T14\nSALE OF INDIVIDUAL ENTRY: From August 1\, 2025 \n\nORCHESTRA DELLA SVIZZERA ITALIANA\nResident orchestra at LAC Lugano Arte e Cultura (Ticino\, Switzerland)\, the Orchestra della Svizzera Italiana (OSI) continues its successful trajectory\, earning public and critical acclaim in major theaters and concert halls across Europe. Since 2022\, its principal guest conductor has been Krzysztof Urbański\, succeeding Vladimir Ashkenazy. \nIt performs three cycles in Lugano: OSI al LAC from autumn to spring; OSI in Auditorio; and OSI a Pentecoste\, created to establish a fixed appointment with OSI during a weekend of special significance for international audiences. This is complemented by special events to attract new audiences\, including concerts for approximately 10\,000 children annually as part of cultural mediation. \nIt collaborates with renowned conductors and soloists\, including Martha Argerich\, with whom OSI has maintained a privileged relationship for over twenty years\, and Sol Gabetta\, with whom it has developed a stable collaboration leading to the creation of the triennial Presenza al LAC festival\, returning to Lugano in 2027. \nIt maintains an intense discographic activity in collaboration with Italian-language Swiss Radio and Television (RSI): OSI and Markus Poschner—principal conductor until 2025— won two prestigious ICMA awards: in 2018 for the complete Brahms Symphonies (SONY Classical) and in 2025 for a Hindemith and Schnittke CD (ECM New Series). Notable releases also include a series of CDs dedicated to unpublished Rossini works and Tchaikovsky’s Symphonies Nos. 5 and 6. \nOpera and ballet co-productions\, open-air concerts\, and summer festivals complete its programming\, engaging an increasingly broad audience. \nThe Orchestra della Svizzera Italiana thanks all its sponsors\, particularly the Republic and Canton of Ticino – Swisslos Fund\, the City of Lugano\, ERSL municipalities\, the OSI Friends Association\, main sponsor BancaStato\, and the Canton of Grisons. \nOSI also thanks its main partner\, RSI\, for its constant support and frequent radio broadcasts. \n\nMARTHA ARGERICH. Piano\nBorn in Buenos Aires\, she began piano lessons at age five with Vincenzo Scaramuzza and soon started giving concerts and recitals regularly. In 1955\, she moved to Europe and continued her studies in London\, Vienna\, and Switzerland with Bruno Seidlhofer\, Friedrich Gulda\, Nikita Magaloff\, Dinu Lipatti\, and Stefan Askenase. In 1957\, she won the Bolzano and Geneva Piano Competitions\, and in 1965\, she won the International Chopin Competition in Warsaw. Since then\, she has been considered one of the world’s most prominent pianists\, both for her ability and her popularity. \nA specialist in the virtuosic masterpieces of the 19th and 20th centuries\, she maintains a broad repertoire that includes\, among others\, works by Bach\, Bartók\, Beethoven\, and Messiaen\, as well as Chopin\, Schumann\, Liszt\, Debussy\, Ravel\, Franck\, Prokofiev\, Stravinsky\, Shostakovich\, and Tchaikovsky. \nInvited by the most prestigious orchestras\, conductors\, and music festivals\, chamber music remains very important to her. She performs and records with Mischa Maisky\, Alexandre Rabinovitch\, Gidon Kremer\, and Daniel Barenboim\, and with Nelson Freire for over 50 years. \nShe has recorded for EMI\, Sony\, Philips\, Teldec\, and DGG\, and her performances have been broadcast on television worldwide. She has received numerous awards: a Grammy for her recording of Bartók and Prokofiev Concertos; Gramophone’s Artist of the Year and Best Piano Concerto Recording for her Chopin recording; Choc du Monde de la Musique\, German Record Critics’ Artist of the Year\, and additional Grammy Awards for Prokofiev’s Cinderella with Pletnev and Beethoven’s Concertos Nos. 2 and 3 with Mahler Chamber/ Abbado (DGG/Best Instrumental Soloist). \nShe became Artistic Director of the Beppu Festival (Japan) in 1998. In 1999\, she created the Martha Argerich International Piano Competition and Festival in Buenos Aires\, and in 2018\, she launched the Martha Argerich Festival in Hamburg. \nShe maintains a privileged relationship with OSI and the city of Lugano\, where she was a key figure in the Martha Argerich Project festival from 2002 to 2017\, returning regularly. \nMartha Argerich has been honored with numerous distinctions\, including three Grammy Awards. \n\nCHARLES DUTOIT. Conductor\nCharles Dutoit (nacido el 7 de octubre de 1936 en Lausana\, Suiza) es uno de los directores de orquesta más destacados de su generación\, reconocido por su afinidad con el repertorio francés y ruso \nCharles Dutoit (born October 7\, 1936\, in Lausanne\, Switzerland) is one of the most prominent conductors of his generation\, recognized for his affinity with 20th-century French and Russian repertoire. His musical training encompassed studies in violin\, viola\, piano\, percussion\, composition\, and conducting at the Lausanne and Geneva conservatories\, as well as at the Accademia Chigiana in Siena and Tanglewood\, under the guidance of masters like Charles Münch. \nHe began his professional career in 1959\, conducting the Lausanne Chamber Orchestra with Martha Argerich as soloist. He later held positions with the Bern Symphony Orchestra (1967-1978)\, Mexico National Orchestra (1973-1975)\, and Gothenburg Symphony Orchestra (1975-1978). \nIn 1977\, he was appointed music director of the Montreal Symphony Orchestra\, a role he held for 25 years. Under his leadership\, the orchestra gained international recognition\, undertaking numerous tours and recording over 170 albums\, many of which received international awards\, including two Grammy Awards. \nDutoit was also music director of the French National Orchestra (1991-2001) and the NHK Symphony Orchestra in Tokyo (1996-2003). In 2009\, he assumed artistic direction of the Royal Philharmonic Orchestra in London\, a position he held until 2018. \nHe has collaborated with the world’s leading orchestras\, including those in Philadelphia\, Boston\, New York\, Chicago\, Los Angeles\, Berlin\, Amsterdam\, and London. He has also worked with prominent soloists such as Martha Argerich\, Renée Fleming\, Lang Lang\, and Julian Rachlin. \nDutoit has received numerous awards and distinctions\, including the title of Officer of the Order of Canada and the National Order of Quebec. He has been named laureate conductor \nof the Philadelphia Orchestra and the Montreal Symphony Orchestra. \nIn his personal life\, he was married to pianist Martha Argerich and is currently married to violinist Chantal Juillet.
URL:https://addaalicante.es/en/concierto/suiza-y-europa-orchestra-della-svizzera-italiana-martha-argerich-piano-charles-dutoit-director/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 25/26
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/06/20mar_t14.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260321T200000
DTEND;TZID=Europe/Madrid:20260321T220000
DTSTAMP:20251127T114026Z
CREATED:20251023T100127Z
LAST-MODIFIED:20251127T114026Z
UID:10002212-1774123200-1774130400@addaalicante.es
SUMMARY:DANI MARTINEZ PRESENTA: ‘REMEMBER’
DESCRIPTION:¿Te gustaría viajar en el tiempo? Pues en este show\, Dani Martínez hace un viaje en el tiempo desde 2050 al presente para hablar con su público y contarles qué cosas han cambiado y qué cosas no pueden olvidar de cara al futuro. Remember ayuda al público a recordar momentos memorables de su vida\, que allá en 2050 van a desaparecer\, y es mision de Dani impedir que eso suceda. \n ¿Cómo lo hará?  \nRemember es un show todoterreno donde se canta\, se baila\, se improvisa\, se participa\, se usa tecnología\, se verbenea y se pasa de lujo a la par que te sorprendes vayas solo\, con amigos o en familia.
URL:https://addaalicante.es/en/concierto/dani-martinez-presenta-remember/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:OTRAS MÚSICAS
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/10/21mar_dani_mart.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260324
DTEND;VALUE=DATE:20260329
DTSTAMP:20251016T161618Z
CREATED:20251016T080022Z
LAST-MODIFIED:20251016T161618Z
UID:10002001-1774310400-1774742399@addaalicante.es
SUMMARY:“LA BIBLIOTECA DE RUIDOS Y SONIDOS”.  Enric Monfort y José Antonio Portillo
DESCRIPTION:Del martes 24 al sábado 28 de marzo de 2026. Hall \nEscolares: M 24: 10.30h – 12.00h / X 25: 10.30h – 12.00h / J 26: 10.30h – 12.00h   \nFunción familiar: J 26: 17.30h / V 27: 17.30h / S 28: 11.00h – 12.30h \n…… \nAUTORÍA Y DIRECCIÓN: Enric Monfort y José Antonio Portillo \nINTÉRPRETE: Enric Monfort \nDISEÑO DE ESCENOGRAFÍA: José Antonio Portillo \nDISEÑO DE LIBROS Y OBJETOS MUSICALES: Mari Carmen Puchol\, Nacho Diago\, David Espino-sa\, Elisa Sanz y José Antonio Portillo \nDISEÑO DE ATREZO: M.C. Puchol\, Elisa Sanz\, David Espinosa y José Antonio Portillo \nCREACIÓN Y DIRECCIÓN MUSICAL: Enric Monfort \nDISEÑO DE SONIDO: Roel van Doorn y Enric Monfort \nDISEÑO DE SOFTWARE: Roel van Doorn y Poul Holleman \nAUDIOVISUALES: Hermes Marco \nDISEÑO DE ILUMINACIÓN: David Bofarull y Xavi Prieto \nDISEÑO GRÁFICO: Álex Prieto \nPRODUCCIÓN: Toni Benavent \n…… \nUn espacio donde el medio sonoro lo impregna todo: cada ruido\, timbre o vibración se escucha\, se recoge\, se transforma y se cataloga. Una biblioteca que funciona como un cerebro vivo: conecta sonidos con emociones\, recuerdos con diálogos\, y nos aproxima tanto al hecho físico del sonido como a su resonancia íntima. Entre la música y las artes escénicas\, la propuesta toma forma en una singular biblioteca octogonal de madera\, artesanal y casi orgánica\, donde cada objeto ocupa su lugar… y tiene su voz. En cada sesión\, 35–40 visitantes acceden a un relato sensorial en el que lo esencial no es “ver” sino sentir: el impacto que produce cada sonido y su capacidad para tejer significados. \nEl espacio está habitado por un personaje obsesionado con los sonidos que\, durante años\, ha recolectado materiales —a primera vista\, triviales o inservibles—: una piedra\, unas cuerdas\, una caja registradora\, unas macetas\, una cafetera. De cada uno extrae un timbre único que evoca su esencia; sumados\, generan armonías y composiciones que atraen al público a un mundo emocional propio. Es un lugar casi mágico\, donde cualquier objeto de la vida cotidiana se convierte en instrumento\, y cuya convivencia sonora acaba formando parte de nuestra memoria compartida. \nEnric Monfort es un músico versátil que vive y trabaja entre España y los Países Bajos. Percusionista de amplia formación (clásica\, contemporánea\, world music)\, compositor y creador escénico\, su trabajo transita con naturalidad entre el concierto y la performance\, explorando el ritmo\, la textura tímbrica y el espacio como elementos dramáticos. Como director artístico ha impulsado proyectos de estética diversa en los que la percusión dialoga con la electrónica\, la dramaturgia del objeto y la escucha expandida. \nJosé Antonio Portillo es artista plástico\, escritor\, editor\, productor teatral\, escenógrafo y maestro. Su obra —en permanente cruce de disciplinas— parte de la recopilación de historias y de la construcción de dispositivos poéticos que convierten el acto de escuchar en un gesto de lectura del mundo. Con paciencia de bibliotecario y curiosidad de artesano\, Portillo crea artefactos escénicos que ordenan la experiencia: archivos sensibles donde la materia\, la memoria y el sonido encuentran un lugar común. \nJuntos\, Monfort y Portillo proponen una experiencia inmersiva: una biblioteca de sonidos que nos invita a comprender el mundo… escuchándolo.
URL:https://addaalicante.es/en/concierto/la-biblioteca-de-ruidos-y-sonidos-enric-monfort-y-jose-antonio-portillo/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:TOCA LA MÚSICA
ATTACH;FMTTYPE=image/jpeg:https://addaalicante.es/wp-content/uploads/2025/10/PEDAGOGICOS_24-al-28-mar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260327T200000
DTEND;TZID=Europe/Madrid:20260327T210000
DTSTAMP:20250730T091749Z
CREATED:20250602T090011Z
LAST-MODIFIED:20250730T091749Z
UID:10001932-1774641600-1774645200@addaalicante.es
SUMMARY:ESCANDINAVIA - ADDA·SIMFÒNICA ALICANTE JOAN ENRIC LLUNA\, CLARINETE JOANA CARNEIRO\, DIRECTORA INVITADA
DESCRIPTION:T15. A9\nSALE OF INDIVIDUAL ENTRY: From August 1\, 2025 \n\nJOAN ENRIC LLUNA. Clarinet\nJoan Enric Lluna\, one of the most prominent Spanish clarinetists of his generation\, combines his career as a soloist with orchestral conducting and teaching. He is principal clarinet of the Valencian Community Orchestra at the Palau de les Arts Reina Sofía\, a position he was appointed to by Lorin Maazel in 2006. He was principal clarinet of the Bournemouth Sinfonietta and has collaborated with orchestras such as the Royal Philharmonic\, Philharmonia\, Chamber Orchestra of Europe\, and Academy of St Martin in the Fields. \nHe has performed as a soloist with conductors like Zubin Mehta\, Neville Marriner\, and Gianandrea Noseda\, at venues such as Berlin’s Konzerthaus\, the City of London Festival\, and The Hague’s Festival Classique. He regularly collaborates with chamber groups like the Tokyo\, Brodsky\, and Diotima Quartets and with soloists such as Lluís Claret\, Josep Colom\, and Juan Carlos Garvayo. \nAs a conductor\, he has led ensembles such as the Manchester Camerata\, Valencia Orchestra\, Covent Garden Chamber Orchestra\, and Berliner Camerata\, with which he debuted at the Berlin Philharmonic’s chamber hall. In 2006\, he founded the Moonwinds ensemble\, and since 2009\, he has directed the Godella Chamber Music Residencies festival. His Moonwinds Simfònic project\, premiered in 2020\, combines artistic excellence with pedagogical outreach. \nLluna has premiered numerous concertos and chamber works by composers such as Sir John Tavener\, Guinjoan\, Cano\, Jesús Torres\, Sotelo\, Sánchez-Verdú\, and Isidora Zebeljan\, and is preparing premieres with works by Jorge Grundman and Miquel Ortega. His discography exceeds 25 recordings\, including three versions of Mozart’s K622 Concerto\, Brahms’ works with the Tokyo Quartet\, Weber’s symphonies with the Berliner Camerata\, and albums such as Jazz Impact\, Le jour de l’an\, and Benet Casablancas: The Clarinet Music. \nDedicated to recovering Spanish and Valencian musical heritage\, he is currently working on the critical edition of unpublished ballets by Vicente Martín y Soler\, whose music he recorded on the album Suites de ballet (Aria Classics)\, awarded the Melómano d’Or. \nA teacher at ESMUC and the Trinity College of Music in London\, he is regularly invited by academies such as the Sibelius Academy\, Royal College\, and California State University. He was recently distinguished as “Insigne de la Música” by the Valencian Music Academy. \n\nJOANA CARNEIRO. Directora invitada\nJoana Carneiro is one of the most prominent conductors of her generation\, recognized for her expressive energy and commitment to contemporary music. A finalist in the prestigious Maazel-Vilar Competition at Carnegie Hall\, she has been Artistic Director of the Gulbenkian Youth Orchestra since 2013. She was Principal Conductor of the Portuguese Symphony Orchestra at Lisbon’s São Carlos Theatre (2014-2022)\, Music Director of the Berkeley Symphony (2009-2018)\, and Principal Guest Conductor of the Real Filharmonia de Galicia for four seasons. \nHighly sought after internationally\, Carneiro has developed an intense operatic career. In 2022\, she premiered The Handmaid’s Tale in London with the English National Opera\, to which she will return in 2024/25 with Thea Musgrave’s Mary\, Queen of Scots. She has also conducted John Adams’ Nixon in China with the Scottish Opera\, The Rake’s Progress in Lisbon\, A Wonderful Town at the Danish Royal Opera\, and A Flowering Tree and La Passion de Simone in cities like Vienna\, Paris\, Chicago\, Cincinnati\, Gothenburg\, and Ojai. In 2023\, she directed the premiere of Bobbi Jene Smith’s ballet Pit at Paris’ Opéra Garnier. \nIn the 2024/25 season\, she will conduct the Naples Philharmonic\, Orchestre Métropolitain de Montreal\, NAC Ottawa\, New Zealand Symphony\, Macao Orchestra\, and Scottish Chamber Orchestra. In Spain\, she has conducted nearly all major orchestras\, including the Bilbao Symphony\, Castilla y León Symphony\, OSPA\, Spanish National Orchestra\, and Real Filharmonia de Galicia. \nThroughout her career\, she has collaborated with orchestras such as the BBC Symphony\, BBC Scottish\, Philharmonia Orchestra\, National Symphony Orchestra of Ireland\, Royal Stockholm Philharmonic\, Gothenburg Symphony\, Helsinki Philharmonic\, Vienna Radio Symphony\, Brussels Philharmonic\, Orchestre National de Bordeaux\, and Musikkollegium Winterthur. Outside Europe\, she has worked with the Los Angeles Philharmonic\, Detroit Symphony\, Hong Kong Philharmonic\, Beijing Orchestra\, and São Paulo State Orchestra. \nBorn in Lisbon\, she began as a violist before studying conducting with Jean-Marc Burfin. She earned her master’s degree at Northwestern University (USA) with Victor Yampolsky and pursued doctoral studies at the University of Michigan with Kenneth Kiesler. \nIn 2010\, she received the Helen M. Thompson Award from the League of American Orchestras and was decorated with the Order of the Infant Dom Henrique in 2004 by President Jorge Sampaio.
URL:https://addaalicante.es/en/concierto/escandinavia-adda%c2%b7simfonica-alicante-joan-enric-lluna-clarinete-joana-carneiro-directora-invitada/
LOCATION:Alicante
CATEGORIES:TEMPORADA SINFÓNICA 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260329T120000
DTEND;TZID=Europe/Madrid:20260329T130000
DTSTAMP:20251202T095135Z
CREATED:20251016T071131Z
LAST-MODIFIED:20251202T095135Z
UID:10002168-1774785600-1774789200@addaalicante.es
SUMMARY:ORQUESTA SINFÓNICA TEATRO CASTELAR. CORAL DE LA UNIVERSIDAD DE ALICANTE
DESCRIPTION:ORQUESTA SINFÓNICA TEATRO CASTELAR DE ELDA.  \nCORAL DE LA UNIVERSIDAD DE ALICANTE \n  \nBelén Sellés\, soprano \nAscensión Padilla\, soprano \nJuana Mari de Toro\, soprano \nLuis Miguel Velasco\, barítono \n  \nShlomo Rodríguez\, director Coral UA \nOctavio J. Peidró\, director \n_____________________________________________________________________ \n  \nPROGRAMA: \nA. MOZART \nAve verum corpus KV618 (1791) \nLaudate Dominum (de Vesperae Solennes de Confessore KV 339) \nLacrimosa (del Réquiem en re menor KV 626) \n VERDI \nLa vergine degli angeli (de La forza del destino\, 1861) \n FAURÉ \nCantique de Jean Racine (1865) \n Réquiem en re menor Op. 48 (1888) \nI. Introit et Kyrie \nII. Offertoire \nIII. Sanctus \nIV. Pie Jesu \nV. Agnus Dei et Lux Aeterna \nVI. Libera Me \nVII. In Paradisum \n\nFundada en 2008 en Elda como proyecto solidario en apoyo a la Asociación Española Contra el Cáncer\, la Orquesta Sinfónica Teatro Castelar ha evolucionado hasta consolidarse como una formación estable con temporada propia. Su primer presidente fue José Manuel Bonilla\, y actualmente lo es Rafael Rico Pérez. Su director artístico desde el inicio es Octavio J. Peidró Padilla. \nCon más de 100 conciertos a sus espaldas\, ha actuado en auditorios de Alicante\, Murcia y Albacete\, y es orquesta titular de la Agrupación Lírica “Ciudad de Elda” y la Compañía “Ars Lírica” de Ontinyent. Ha colaborado con destacados solistas como Ana Ruiz\, Alfredo Ferre o Cristina Sánchez. \nHa publicado tres discos\, entre ellos Melodías para el séptimo arte y Todos contra el cáncer\, grabado en el ADDA. Desde 2020 desarrolla su propia Temporada Sinfónica con gran acogida del público. \n\nVenta de entradas: \nEntrada general: 10 € \nEntrada reducida (menores de 30 y mayores de 65 años): 5 € \n\n  \n 
URL:https://addaalicante.es/en/concierto/orquesta-sinfonica-teatro-castelar-2/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:NUESTRAS BANDAS Y ORQUESTAS
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260330T180000
DTEND;TZID=Europe/Madrid:20260330T190000
DTSTAMP:20260323T124133Z
CREATED:20251016T070849Z
LAST-MODIFIED:20260323T124133Z
UID:10002038-1774893600-1774897200@addaalicante.es
SUMMARY:CONSERVATORIO SUPERIOR DE MÚSICA ÓSCAR ESPLÁ. CSMA CANTO
DESCRIPTION:I PARTE  \nR. Strauss (1846-1949)  \nAllerseelen \nMorgen \nZueignung  \nW. A. Mozart (1756-1791). “Le nozze di Figaro”  \nAria del Conde: Hai già vinta la causa…Vedró mentre  \nAria de la Condesa: Porgi amor \nDúo: Crudel perchè finora   \nII PARTE  \nM. de Falla (1876-1946). Siete canciones populares españolas \nEl paño moruno/ Seguidilla murciana/ Asturiana/ Jota/ Nana/ Canción/ Polo \n C. Guastavino (1912-2000). La rosa y el sauce  \nPampamapa \nJ. M. Usandizaga (1887-1915). Romanza de Lina “Las golondrinas” \nJ. Guerrero (1895-1951). Mi aldea “Los gavilanes” \nR. Chapí (1851-1909). Dúo de Felipe y Mari Pepa “La Revoltosa”  \nAlumnos: María Macià\, soprano y Rodrigo Hoyos\, barítono \nPianista: Mercedes Bernabéu (Profesora del CSMA) \nProfesoras de canto: María José Martos\, Pilar Páez  \n\nEntrada libre\, mediante invitación. \nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: \n\n protocolo.adda@diputacionalicante.es\nAforo limitado\, máx.4 entradas/persona.Las entradas se confirmarán y entregarán una semana antes del concierto.\nApertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-superior-de-musica-oscar-espla-csma-canto/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:ADDA JOVEN
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260330T200000
DTEND;TZID=Europe/Madrid:20260330T210000
DTSTAMP:20260323T124813Z
CREATED:20251023T101726Z
LAST-MODIFIED:20260323T124813Z
UID:10002042-1774900800-1774904400@addaalicante.es
SUMMARY:CONSERVATORIO SUPERIOR DE MÚSICA ÓSCAR ESPLÁ. CSMA OBOE / FLAUTA
DESCRIPTION:Programa: \nIan Clarke — Orange Dawn \nOtar Taktakishvili — Sonata para flauta y piano \nII. Moderato con moto \nAndré Jolivet — Chant de Linos \nNatalia Jiménez González\, flauta travesera \nFran Ruíz Illán\, piano \nMike Mower — Sonata para flautín (piccolo) y piano \nI. Vivo \nII. Dulcemente \nIII. Fogoso \nElliott Carter — Scrivo in vento para flauta sola \nRobert Muczynski — Sonata para flauta y piano\, Op. 14 \nI. Allegro deciso \nII. Scherzo \nIII. Andante \nIV. Allegro con moto \nLucas Santos Fernández\, flauta travesera \nFran Ruíz Illán\, piano \nHenri Dutilleux — Sonata para oboe \nI. Aria \nII. Scherzo \nIII. Final \nAntal Dorati — Dúo concertante \nIsabel Català Arbona\, oboe \nHéctor Tarín Nieto\, piano \n\n  \nEntrada libre\, mediante invitación. \nReserva tu entrada enviando un correo con tu nombre y apellidos y las personas que asistirán al concierto a: \n\n protocolo.adda@diputacionalicante.es\nAforo limitado\, máx.4 entradas/persona.Las entradas se confirmarán y entregarán una semana antes del concierto.\nApertura de puertas 1 hora antes del concierto.
URL:https://addaalicante.es/en/concierto/conservatorio-superior-de-musica-oscar-espla-csma-oboe-flauta/
LOCATION:ADDA\, Av. de Jijona\, 5\, Alicante\, Alicante\, 03010\, España
CATEGORIES:ADDA JOVEN
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END:VCALENDAR